I’m delighted to welcome the lovely Lisa Heidke to my blog. Claudia’s Big Break, her most recent bestselling book, is a hilarious and heartwarming read that I couldn’t put down. I asked Lisa what she thought were the linking themes running through her work so far. Over to Lisa:

I have written before how my characters are formed first before I consider plot but I have been forgetting a crucial element, theme.

The theme in Claudia’s Big Break — women, generally in their thirties, who are at a cross roads in their lives —is a theme that runs through my other two books, Lucy Springer Gets Even and What Kate did Next as well.

When starting a new manuscript, I’ll think about the general theme and develop it more specifically, for example infidelity and its’ repercussions, and then create a character to embody that crisis. Whilst the characters in every book are very different, they are all struggling with real issues women face such as aging, betrayal, divorce, teenage sexual awakening, career frustration, loss of independence, friendship, etc.

In each of the novels, the characters start in a difficult place but by the end of the 85,000 words they are on their way to resolving those issues. They are not going to lead perfect lives but the characters have developed the strength and determination to keep going and moving forward in a positive direction.

I always write in the first person so while developing Claudia, Kate and Lucy’s stories, I imagined living inside their heads to make their personalities, motivation and dialogue as emotionally authentic as I could.

While Claudia is the main character in Claudia’s Big Break, the story revolves around the relationship between three long-time best friends: Claudia, Tara and Sophie. All are in their thirties and are struggling with personal issues: Claudia has a less than stellar career and love-life, Tara is trying to overcome personal demons so she can finish writing her novel, and Sophie is dealing with the transition from corporate lawyer to stay-at-home mother.

What excited me about writing this novel was creating the intricate and often tricky relationship these women have, and playing that out against the idyllic Santorini back drop.

With What Kate did Next, the focus is very much on Kate and her coming to terms with the fact that the dreams she had at twenty are no closer to becoming a reality as she approaches her thirty-sixth birthday.

Lucy’s husband in Lucy Springer Gets Even walks out on her in the first sentence, so her journey starts in a very bad place, that of being totally blindsided and having to rebuild her life.

I can’t see the general theme of my books changing. I like writing about women, what drives them to succeed (or fail), how they react to adverse situations and how, even though they may start from a dark place, their strength of character pulls them through in the end. My characters generally aren’t going to get ‘the happily ever after’ of fairytales, but I hope that they are interesting and inspirational regardless of how flawed they appear.

You can find out more about Lisa at www.lisaheidke.com. Thanks for visiting, Lisa!col-md-2

The brilliant fundraising initiative for Queensland flood victims known as Writers on Rafts – the brainchild of Rebecca Sparrow and the Queensland Writers Centre – has only one week left. For just $5 a ticket you can enter a draw to win all sorts of writing and reading related prizes.

My books are up for grabs on there, as well as the opportunity to have feedback on the first 5000 words of your manuscript and a complete synopsis. Check out the long list of authors who are involved at http://writersonrafts.com – and don’t miss the chance to attend the Ultimate Girly High Tea, with some brilliant Australian writers including Anita Heiss, Kate Morton and Mia Freedman.col-md-2

To read more about Beneath the Shadows, my writing background and my current bedside reading, visit their website at http://auslit.net/, or click here.col-md-2

It doesn’t seem like a very good time to be part of the book publishing business. The industry is in a parlous state of flux – publishers and agents appear stressed and depressed, and many bookshops are struggling. In my local area I have watched two lovely independent bookshops open, flounder, and close in the past couple of years. And as of today, industry knowledge has become public knowledge: Borders and Angus & Robertson are in big trouble too.

E-books are on the up, and they have risen so quickly that when we were negotiating my first publishing deal the e-book portion of it proved a little bit tricky, because we were all still getting to grips with the ramifications of the format. Traditional book formats are expensive at RRP – and many of my readers are happy to tell me they got my book out of the library. I don’t mind this at all (I get some books out of the library too), and writers do earn a little bit from library borrowings. Nevertheless, I made more in my final year of editing than I have done in my last three years of writing combined, and soon I will probably need to supplement my writing with another source of income. 

It seems that for everyone in the book business it’s time to adapt in order to survive. I hope as many as possible make it through to the other side, and that diverse, original, independent booksellers can tough it out against the big discounters. And I hope that all writers, published and those to be published, can ignore this horrible blip in the business and pursue their ideas wholeheartedly, because surely, at some stage, things will settle down, and earning a living this way might get a little easier. In the meantime it’s a pleasure to be part of the book-business community, because I’ve met (or cyber-met) so many superb, supportive people in the last couple of years: booksellers, authors, readers, agents, journalists, salespeople, librarians, editors and publishers. Good luck to every one of you, and here’s to a brighter day tomorrow.col-md-2

My good friend Natasha Lester has invited me onto her blog to talk about that tricky business of the commercial/literary fiction divide. It’s a frustrating but necessary topic that both of us have become familiar with over the last year or so. To read our thoughts, click here, or visit Natasha’s blog at http://whilethekidsaresleeping.wordpress.com/

Thanks for having me, Natasha!col-md-2

Today I’ve been talking to the lovely Lisa Heidke about the beautiful and mysterious North Yorkshire moors, my setting for Beneath the Shadows. Read it here:

http://www.lisaheidke.com/component/myblog/Welcome-Sara-Foster-.htmlcol-md-2

I’m still pinching myself that now I have two books out in the big book-buying world. Friends keep asking me how it feels, and to be honest I’m not sure I’ve really taken it in. What with the busy promotional blitz and caring for a toddler, I’m usually doing something work or child-related from the moment I get up until I go to bed, and when my head hits the pillow it’s lights out pretty quickly! But the publication of Beneath the Shadows marks the end of my first two-book deal in Australia, and already I am thinking about what I want to do next. I have two firm ideas that seem to be developing in tandem in my head, and I’m really excited about both of them. I don’t like sharing much of my writing until I’m finished – I’m a bit secretive like that – but my overall plan is that the first will be a complicated love story set around a passion for the sea, and the second is a family mystery with photography as an underpinning theme.  

It is both daunting and exciting to be very close to moving on from projects that have consumed the last few years of my life. I can’t wait to write something new, but thinking about what I hope to achieve next has led me to some reflection on what my overall goals are in my writing. Many aspects of my writing lend themselves to lots of other books too – most of us are touching on universal themes of love, friendship, journeys, psychology, freedom, fears and longing in one form or another. But I’m very interested in examining the psychology of traumatic events, and the different ways people try to cope with what fate deals them. I want readers to grow attached to my characters – not necessarily agree with them, but certainly relate to them, and recognise aspects of them in themselves or others.

I love to tell stories through the medium of suspense, with compelling chapters and twists and turns, because it’s what I want to read –there’s nothing better than a story that grips you. All that drama! The biggest compliment you can give me is saying you couldn’t put my books down – I want to grab my readers, pull them into the world I’m creating and completely absorb them until we’re finished. I hope I’ve achieved that in my first two books, but there is still plenty more to come.col-md-2

During the week I had the great pleasure of chatting to Claire Williams from Flourish magazine about Beneath the Shadows. You can read the interview online at www.flourishmagazine.com.au.col-md-2

Today I’ve been blogging on writing, mothering and that elusive thing called balance, on  http://anjwritesabout.com/ – thanks for inviting me onto your site, Anj!col-md-2