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BOOK LOVE: Am I Black Enough for You? by Anita Heiss

In Am I Black Enough for You, Anita Heiss directly tackles the belittling idea that there is only one identity to be found within a specific cultural or ethnic background. With her trademark humour and razor-sharp insight, Anita gracefully explores her identity as an Aboriginal woman, and the intersecting lines of sameness and difference to the people around her. Through her own story, Anita raises numerous questions great and small as to how we all respond to this idea of ‘otherness’, and makes a succession of hard-hitting, challenging points about the narrow-minded assumptions still embedded in western society, which affect everything from the way that history is taught in schools to assuming Anita has a natural affinity for camping (and I think it’s safe to say she doesn’t!).

Anita also talks about the well-known court case where she and eight other applicants took on Andrew Bolt, who had written an article in the Herald Sun suggesting these women had used their Aboriginality to gain professional advantage. The case was won, but that was not the end of it for Anita. When Am I Black Enough for You? came out in April, I was on lockdown trying to finish my novel, but I didn’t miss what happened next. Anita was attacked on various online sites, with racist and derogatory comments, some of which I had the misfortune to read. What struck me most was the suggestion that with this victory, Anita had somehow denied the notion of free speech, when nothing could be further from the truth. In the promotion of free speech as a universal ideal, there is now, ironically, a platform for slander and misrepresentation on a staggering scale. I’m so glad that Anita and her fellow applicants didn’t allow these assertions to go unchallenged, and that they stood up for who they are and everything they have achieved. The Australian book industry wouldn’t be the same without Anita doing all she can to close gaps of communication and understanding, and telling stories to make us think and make us smile.

Anita writes across a number of genres. To find out more visit http://www.anitaheiss.com/. You can also watch Anita on YouTube talking about Am I Black Enough for you.

 

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BOOK LOVE: Beautiful Malice by Rebecca James

Katherine has moved to Sydney to start afresh, after a terrible tragedy shattered her family. There she meets alluring Alice, but their friendship grows gradually darker and more troubled, spiralling towards a shocking finale.

I’m always eager to read a book I’ve heard a lot about, and this one didn’t disappoint. An absolute page-turner that draws you in from the start, I read it in one sitting, and was only disappointed when it finished. Looking forward to the next one!

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Your editor is on your side

Book pages 2This blog also appeared on the Random House ‘Random Blogs’ website on 6th April 2010

It is always interesting to see how writers respond to editorial guidance. Some are completely open to suggestions, others are not, and there’s a third category who seem to be keen for a critique, but then either don’t like the reality, or don’t seem to alter anything much as a result. What many writers appear to get stuck on is the ‘Well, I like it’, or ‘It has to happen because…’ response. A writer becomes so attached to a piece of writing, or a certain event in their plot, that they will hold on to it come hell or high water. But I believe that the more malleable you see your work, right up to the point it becomes set in print, then the more likely you are to create a better book. This doesn’t mean you have to follow any or all editorial suggestions, because ultimately, and quite rightly, the author has the final say. However, it is worth remembering that editors are there to help you produce the best finished product you can, not to ruin your treasured script! Therefore their comments should not be dismissed too lightly.

That’s the theory, anyway, coming from an editor’s perspective. But how did I go as a writer? Well, I had this experience with Come Back to Me. The book had a prologue, which was the very first thing I wrote for the novel, and I loved it. Every time I reread the prologue, it made me think that maybe, just maybe, I could get this thing published. So when the script came back with a big pencil line streaking across the first page, I did have a bit of a gulp. And, if I hadn’t had an editing background, I would have probably argued passionately for it to remain – because I loved it. However, the thing is, while I felt it was a fine piece of writing, it interfered with something more important: it delayed the real start to my story. So when I’d had a few minutes to think about it, I knew the editor was right. The prologue was a personally beloved part of an earlier draft, but it didn’t belong in the finished piece. So out it went. And the book is better for it.

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About

A LITTLE BIT ABOUT ME

I live in Perth, Western Australia, with my husband and two young daughters.

Before I was a writer I worked as a book editor, at first in-house at HarperCollins UK and then freelance. I’ve edited and proofread well over 100 books, fiction and non-fiction, including novels by Paullina Simons, Kathryn Fox and Liane Moriarty.

My favourite authors include Maggie O’Farrell, Toni Morrison, Nicci French, Sara Gruen, Alice Walker, Maya Angelou, Wendy James, Kate Morton, Liane Moriarty and Jodi Picoult.

My favourite books include The Secret River by Kate Grenville, Beloved by Toni Morrison, The Light Between Oceans by ML Stedman, Jasper Jones by Craig Silvey, The Shifting Fog by Kate Morton, and After You’d Gone by Maggie O’Farrell. The list goes on and on.

My favourite poetry collection is The Self-Completing Tree by Dorothy Livesay.

I was one of the original editors of the Kids’ Night In book series, which has been raising money for War Child since 2003.

I’m very lucky to belong to a writers’ group that includes Amanda Curtin, Natasha Lester, Annabel Smith, Yvette Walker, Dawn Barker and Emma Chapman.

I’m a huge fan of dystopian fiction, and I’m studying the genre for my PhD at Curtin University. My favourites include The Road by Cormac McCarthy, Station Eleven by Emily St John Mandel, and Pure by Julianna Baggott.

As a kid, in addition to devouring Roald Dahl and Enid Blyton books,  I loved the Sue Barton nurse stories and Gerald Durrell’s animal adventures. Later on I read everything written by the Brontes, and devoured the dark thrillers of Lois Duncan and Christopher Pike.

I was born and raised in England, but I’ve always had family connections to Australia, and we visited the east coast a few times during my childhood. My introduction to Australian literature was reading All the Rivers Run by Nancy Cato, and after that I wanted to be Delie Gordon for quite a while. In 1999 I made sure I got to stand at the wheel of the Philadelphia paddle steamer  when we visited the Murray River region.

My first pop concert, aged 12, was a Stock Aitken and Waterman event featuring my first love Jason Donovan. I was on a high for weeks afterwards. Little did I know that twenty years later I would end up editing his autobiography.

I love marine animals, and in the past (before children!) I have been a keen scuba diver. I’ve played with baby sea lions, penguins and marine iguanas in the Galapagos and scuba dived with Galapagos reef sharks and hammerhead sharks. I’ve glided with manta rays in Coral Bay (WA) and the Similan Islands in Thailand, encountered huge potato cod and graceful minke whales on the Great Barrier Reef, and swum with the mighty whale sharks of Ningaloo. I have experienced the absolute joy of being surrounded by wild dolphins in New Zealand and WA waters, and had the very special experience of a dolphin ‘buzzing’ me while I was pregnant (using concentrated echolocation to ‘see’ the baby).

In 2011 I went to Japan while researching Shallow Breath, and visited Taiji, the town famous for its horrific dolphin drives. I was only there for two days, and I didn’t have to witness the brutal hunt up close, although I watched the banger boats drive the dolphins in from a distance. However, I did encounter the dolphins in captivity in the sea pens, being broken and starved while trained for human entertainment. Those images will stay with me forever.

I met my husband Matt when I was nineteen. We both love to travel, and we tend to pick places where we can pursue our passions for animal encounters and the natural world. Our highlights include four months in South-East Asia, including chartering a tiny vessel to Komodo Island and staying amongst the dragons. We got engaged on an island full of monkeys in Halong Bay, Vietnam, and  for our honeymoon we visited Machu Picchu, Iguazu Falls, the Galapagos Islands, and travelled into the heart of the Manu Biosphere of the Amazon to see everything from capybaras to caimans. Now our two girls are getting older, we are excited about planning our next adventures.