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We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.

We lived in the gaps between the stories.

Set some time in the future, the main character, Offred, has been designated a Handmaid, and her function is to endure mating rituals in order to bear a child for the couple she belongs too.  The Gilead society is cruel and swift to exact punishment on those who disobey its rules. But Offred remembers a life before this, where she had a husband and daughter. Unable to forget the freedom she has known, she makes dangerous choices, and is slowly drawn towards disaster.

This book is right at the top of my all-time favourites, and just writing about it makes me want to go and find it again. I haven’t read it for years, but I can still hear those names called out in the darkness at the end of the first chapter, the brave reassertion of identity under a monstrously repressive regime. Atwood’s writing is mesmerising, and the dystopian world that she has built, where women have no rights and have become classified according to their purpose in relation to men, is both terrifying and heartbreaking. I could contemplate many of the sentences in this book for hours. I was so disappointed when I saw the film – but I think it’s just because there’s no way to translate Atwood’s writing, you need to read this story in its purest form.

 

 

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I’m about to start editing Beneath the Shadows, and I’m very excited about it. It is through this process that my book will gradually evolve from its raw first draft into a finely polished finished piece. With a background as an editor I feel very open to the editing process, which can be pretty daunting and confronting for a writer. Everything from characters, plot and pace, and the strength of the writing itself, is examined thoroughly during editing; and as a result the book can change quite a bit, sometimes in ways the author never envisioned. Come Back to Me was a much better book after editing, and I’m sure that it will be the same for Beneath the Shadows

Beneath the Shadows is currently at the structural editing stage. So we’re looking at things like how the chapters work, both on their own and with one another; whether the characters are developing fully; if there are gaps that need filling, or sections that need paring back. So wish me luck, and I’ll post some updates on how it’s going.col-md-2