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Finally, after six long weeks of work, I have finished the structural edit of Beneath the Shadows. It’s lovely to put my head up again, as I’ve literally been working morning, noon and night, around my toddler’s waking hours, to get everything done. I am already thinking of things that need changing or tweaking, but I will get another chance to do that when the copy-editing begins. I have a little bit of a love-hate relationship with this side of the editing process, which is ironic since I’ve been a book editor for the last ten years. But editing someone else’s work is fun. Editing my own novels seems to be much more gruelling, since I find myself continually re-examining every aspect of plot, characters and writing, and coming up with more and more problems or weaknesses that need fixing. However, I thrive on the challenge, and so far I’ve had two great editors who have really pushed me to make my books stronger.

So, while I’ve been taking a break, I’ve been dabbling with my bookshelf on goodreads.com.  I now have an author profile, which I’m still working on, and you’ll find my latest book reviews on there as well as on this website. You’ll notice they all tend to be rather positive, but I often don’t finish books I’m not enjoying, and as a result I don’t feel entirely qualified to comment on them! I’m currently reading and loving Water for Elephants, so you can expect another positive review soon!

Lately, quite a few aspiring authors have asked me for advice on what to do when you feel your novel is ready to go out into the world. So, while I have some downtime, I’ll shortly put up a blog or two with some general advice and information. Good luck to you all. Book publishing is a tough world, but it’s a very exciting and fulfilling one too, and I love being part of it.

Lexie Sinclair’s life revolves around the Soho art scene of the 1950s, whereas in the present day Elina is struggling with the demands of motherhood. But despite living decades apart, these two women are connected in ways neither could ever have expected.

I have long been a fan of Maggie O’Farrell, as her first book, After You’d Gone, ranks as one of my all-time favourites. In this, her latest work, her writing is mesmeric, and I was captivated from start to finish. Such overt manipulation of narrative voice is difficult to achieve without losing the reader, but O’Farrell is fearless, and as a result The Hand that First Held Mine is a wonderful, unique piece of fiction.

I’m about to start editing Beneath the Shadows, and I’m very excited about it. It is through this process that my book will gradually evolve from its raw first draft into a finely polished finished piece. With a background as an editor I feel very open to the editing process, which can be pretty daunting and confronting for a writer. Everything from characters, plot and pace, and the strength of the writing itself, is examined thoroughly during editing; and as a result the book can change quite a bit, sometimes in ways the author never envisioned. Come Back to Me was a much better book after editing, and I’m sure that it will be the same for Beneath the Shadows

Beneath the Shadows is currently at the structural editing stage. So we’re looking at things like how the chapters work, both on their own and with one another; whether the characters are developing fully; if there are gaps that need filling, or sections that need paring back. So wish me luck, and I’ll post some updates on how it’s going.