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Signatures have been exchanged, and the deal is done. Most significantly for me at this stage, the deadline has been set. In January 2012, all being well, I will hand over my third novel. I began work in earnest this week, and welcomed back a familiar feeling of giddiness and discomfort – the usual combination of excitement and fear that is present when I’m writing.

I have given myself a huge challenge. All I’ll say about the story at present is that it takes place along the beautiful coastline of WA, and there’s a messy, complicated family (of course!), who are already hijacking my thoughts regularly. I have the feeling that however determined I am to take the reins of their story, there will be parts of the process where all I can do is hang on and try to enjoy the ride.

One of the best parts of this job is that readers I have never met are prepared to give my ideas and imaginings some of their precious time. My desire to write a fantastic story that will capture your heart and mind is as strong as your desire to read one, so wish me luck, and let the fun and hard work begin!col-md-2

Last night, one of the last images I saw before I went to bed was of a terrified Chinese toddler being held at knifepoint in the street by her father. The horror of that situation was not distilled by the frozen photo, the detached computer screen, or the fact I could flick away when I chose. Horrendous fear and suffering were transmitted in an instant.

I hadn’t searched this out. I wasn’t planning to read the news at that point. But it broke its boundaries and affected me. As did the Four Corners story this week, which I found out about thanks to twitter. I’m grateful I didn’t have to watch that footage, because I know it would still be haunting me. The photographs I did see were enough.

No one has taught me how to deal with these moments. I have had to teach myself, because, quite frankly, they have brought me to my knees at times. And the way I have come to terms with this is by becoming a more conscious guardian of my emotions, knowing when I can take action and when there is nothing I can do. From what I could gather (the article wasn’t clear), the little Chinese girl was rescued. Twelve hours later, the news has moved on, and I can’t even find it on the same site. I’m pretty sure I won’t ever know what happened to them.

However, with the push to ban live exports, there were at least petitions to sign. Where once upon a time I would have felt this was a fairly unremarkable gesture, I don’t any more, because of the emergence of a few amazing, energetic sites that have recorded some brilliant, measurable breakthroughs as a result of people power. Sites like Avaaz.org and getup.org.au (who ran a live exports petition), and organisations like the Wilderness Society (who send you the results of their actions) are doing a great job of bringing some critical issues to our attention. And despite the desperate, depressing news they bring to my door, they make me feel that there is something small but very important that I can do. They wouldn’t exist unless we were all choosing to add our names to causes we believe in. This weekend my family will be going to climate change rally in Perth on Sunday (there are also rallies in Melbourne, Hobart, Brisbane, Adelaide and Sydney), thanks to the information and reminders from GetUp. Our voices might be small, but they all count, and I’m buoyed by the words of anthropologist Margaret Mead: Never doubt that a small group of committed people can change the world. Indeed, it is the only thing that ever has.col-md-2

To begin with, I was drawn to the writers in the session entitled ‘Reverberations from the past’ more than the topic. Natasha Lester is a friend of mine, whose beautifully crafted book, What is Left Over, After, won the TAG Hungerford in 2009, and I’ve read and heard so much about Gail Jones’ and Jon Bauer’s books that makes me want to pick them up as soon as I can. During the session, all three writers breathed fresh life into the over-analysed theme, and every audience member appeared captivated by their eloquence and their ideas. Gail Jones spoke about how other writers, including Virginia Woolf in ‘Sketches of the Past’ addressed the issue; Natasha Lester told us about the wonder tales of the French court in the 14th century and how she used them in her novel; then Jon Bauer read a piece he had written for the event, which was filled with soundbites, such as ‘The past is not a foreign country, nor is it the past. It is you, now.’ In the following discussion they each spoke of how their own experience had found different routes and resonances in their writing. Jon Bauer had used some personal challenges of his childhood; Gail Jones’ drew on the story her great-grandfather, who committed suicide in a Kalgoorlie hotel; while Natasha recently reached out to others in a creative non-fiction piece about her experiences of her daughter’s hip dysplasia (published in the WA journal Indigo). They all discussed how they looked for the subtle but resonant aspects of experience that might be used in storytelling to convey authentic feeling and reflection to greatest effect, whether representing grief in the landscape or manifesting in a character’s physical appearance.

Finally, Jon Bauer answered one audience member’s question in a way well worth noting. When asked about how to move a piece of writing forward, he said he wanted to respect the fact the writer was lost and struggling, as we all are at times in writing, and therefore he wouldn’t answer the question in order to empower the gentleman to find his own way through. Such an eloquent way of encouraging a writer to keep reaching for their own authentic, unique voice.col-md-2

I’m still pinching myself that now I have two books out in the big book-buying world. Friends keep asking me how it feels, and to be honest I’m not sure I’ve really taken it in. What with the busy promotional blitz and caring for a toddler, I’m usually doing something work or child-related from the moment I get up until I go to bed, and when my head hits the pillow it’s lights out pretty quickly! But the publication of Beneath the Shadows marks the end of my first two-book deal in Australia, and already I am thinking about what I want to do next. I have two firm ideas that seem to be developing in tandem in my head, and I’m really excited about both of them. I don’t like sharing much of my writing until I’m finished – I’m a bit secretive like that – but my overall plan is that the first will be a complicated love story set around a passion for the sea, and the second is a family mystery with photography as an underpinning theme.  

It is both daunting and exciting to be very close to moving on from projects that have consumed the last few years of my life. I can’t wait to write something new, but thinking about what I hope to achieve next has led me to some reflection on what my overall goals are in my writing. Many aspects of my writing lend themselves to lots of other books too – most of us are touching on universal themes of love, friendship, journeys, psychology, freedom, fears and longing in one form or another. But I’m very interested in examining the psychology of traumatic events, and the different ways people try to cope with what fate deals them. I want readers to grow attached to my characters – not necessarily agree with them, but certainly relate to them, and recognise aspects of them in themselves or others.

I love to tell stories through the medium of suspense, with compelling chapters and twists and turns, because it’s what I want to read –there’s nothing better than a story that grips you. All that drama! The biggest compliment you can give me is saying you couldn’t put my books down – I want to grab my readers, pull them into the world I’m creating and completely absorb them until we’re finished. I hope I’ve achieved that in my first two books, but there is still plenty more to come.col-md-2

writing (2) 75 dpiPeople who work in book publishing always have a ridiculous amount of reading to get through. I once worked on what is pejoratively termed the ‘slush pile’ in the HarperCollins fiction department, where I would often be the first reader. As such, I would get to decide if the story was worth further consideration by those higher up the chain. There were so many submissions I don’t think I was ever on top of it.

So, when submitting your work, to give yourself a head start you need to make your book stand out. Why does the publisher HAVE to read it? (If you’re not sure, how can they be?) Why do you believe in what you are doing? What is it about this book that warrants the attention of the book-buying public? If you are able to provide an agent or publisher with this kind of information BEFORE they look at it, then – as long as they are enthusiastic, of course – you’re a step ahead.

How can you make a potential agent or publisher want to read a script? It’s a big question, and you should take your time and consider your approach. First and foremost you need to stop thinking like a writer and start thinking like a marketeer. Can you condense your story down into one or two awesome sentences? If you can, you’ve developed a pitch, and depending on the policy of the publisher/agent in question, you can use this to get people interested – either on the phone or via cover letters/emails. I realise this can be scary, as you might get an immediate no. But the pitch will remain important right through to the book-buying stage, because in this frenetically paced market you never have very long to grab anyone’s attention.  Don’t start pitching until you’re ready, as a publisher isn’t going to take very seriously the person who develops a new pitch every few weeks. They want to know you are focused and serious about what you are doing.

Do you know which market you’re aiming for? Have you thought about how your book will compete with others on the shelves? Why is it different? Why will readers pick up your travel book on Rome rather than the Lonely Planet’s? If you can give a publisher answers to these kinds of questions (without them having to ask), you will pique their interest. Otherwise, if such questions come up and you have no reply, you will look naïve.

Look at submissions policies very carefully and use them to your advantage. A script that comes in clean, tidy, correctly formatted according to guidelines, and with a concise covering letter will get more attention than the dog-eared, single-spaced tome with a rambling two-page explanation. Are there small embellishments you can use to draw people’s attention – artwork, for example? Be careful with using unusual fonts – only attempt it if they fit the kind of book you are working on, and remember they must still be easily readable. If you make the presentation too much of a challenge for a publisher, you are shooting yourself in the foot before you’ve begun.

Can you do anything else differently to get people’s attention? Your ploys need to be subtle, as at this stage a busy agent/publisher is doing you a favour by reading your work. When I worked in-house we would get writers ringing up demanding why we hadn’t yet got to their synopsis and outline, and that didn’t go down well. Never mind the writing, who wants to work on publishing a book with a stroppy, argumentative author. If you haven’t heard anything for a while, keep your inquiry courteous. You can remind them why they really should read your book, but be careful how far you push.

The submissions stage is one where books and dreams are made or broken. Success is a combination of skill, perseverance, patience and good fortune (and much more besides) – but the only way the final line is ever drawn is the moment you give up. Good luck!col-md-2

Pages

Shallow Breath

How far would you go to save someone you love?

Two years ago, Desi Priest made a horrific mistake and destroyed her family.

Now, she is coming home to make amends: to her daughter Maya, who’s nurturing her own dangerous plan; to her brother Jackson, who blames himself; and to her close friend Pete, who has spent years shielding her from a devastating truth.

But as Desi returns to her beloved house by the ocean, there is a stranger waiting for her. Someone who needs her help. Someone whose arrival will reveal a chain of secrets hidden for over twenty years.

And one by one the family will be forced to confront the possibility that they have somehow got things terribly, tragically wrong …

Set across five continents, Shallow Breath is a compelling novel of dashed dreams and second chances. But most of all it is a story about love, and what it really means to be free.

‘The narrative burden shifts between characters, all of whom have winning strengths and credible frailties, and the action emanates from these qualities with effortless suspense and dramatic power…’

Sydney Morning Herald PICK OF THE WEEK

‘well-crafted psychological suspense’

Saturday Age PICK OF THE WEEK

‘set quite uniquely against a fascinating and intelligent backdrop of Australian wildlife and it’s struggle for survival in the modern world’

Australian Women’s Weekly

‘a love letter to the ocean’

Bookseller and Publisher

Praise for Shallow Breath

‘Gripping, touching, and close to my heart. I was hooked from start to finish.’

FAVEL PARRETT, author of Past the Shallows

‘Shallow Breath invites breathless anticipation, building towards a shocking climax. It is a really satisfying read.’

www.aussiereviews.com

‘…the steady unveiling of all that lies below the surface is suspenseful, complicated and deeply mired in oceanic metaphors … Foster is a gifted writer who has much to teach us in amongst this intriguing family saga.

This Charming Mum blog

‘a thrilling novel about love and freedom’

Green Lifestyle magazine

‘compelling, emotional and graphic’ 5/5 stars 

Book Muster Down Under

Shallow Breath is a beautifully written novel that quite easily draws you in to this somewhat broken family and the fragile relationships that are struggling to knit themselves back together … It further cements Sara Foster as a writer with a real talent for suspense and pacing and the ability to flesh out her novels with characters that are so real you can imagine yourself living next door to them.’ 

1Girl2ManyBooks

‘… with Western Australian author Sara Foster’s skilled pen, there is a vitality and urgency to the pace of Shallow Breath than catapults the reader right into the heart of the action.’

Australian Women’s Weekly

‘…beautifully researched and written with enormous passion … the perfect holiday companion for those wanting to lose themselves in a good story.’

Writing WA review in the West Australian

Shallow Breath is a fast-paced read which interweaves drama, intrigue, loss and the fate animals can face at the hands of humans. The author’s clever use of psychological suspense played out in this book reeled me in and delivered the animal conservation message with a powerful punch.’

Port Macquarie News

‘Shallow Breath is a modern Australian saga, written by an author who knows how to breathe life into characters. The story reaches through the pages pulling you into its watery depths and when it is over the characters will stay with you as if you’ve connected deeply with new friends.’

An Adventure in Reading

‘An engaging novel that is sure to haunt you, this is an absorbing read. Dive into Shallow Breath – you won’t regret it.

Book’d Out

‘…an absorbing novel about the loneliness of secrets and how love yearns to be free of them.’

Canberra Times

‘a double whammy of suspense coupled with some nicely nuanced characters…‘ 

Geelong Advertiser

Foster has such a knack for intrigue and is so engaging with her storytelling…,and this, her third novel – set in her adopted WA – is sharper and more mysterious than ever.’

The West Australian

‘another taut, suspenseful read bursting with family secrets and hope… Shallow Breath is one of those books you want to dive into and not come back out of until it’s finished.’

MONIQUE MULLIGAN, Write Note Reviews

For Bookclubs

Book Club Questions (downloadable PDF)


If you’d like to read Shallow Breath for your book club, this downloadable PDF reading guide includes discussion questions for your group.

Do you have a burning question that you want to ask Sara about the book, or would you like a personalised video for your book club? Use the contact form to get in touch.

You can find downloadable PDFs for all Sara’s books on the Book Club page.


Add this book to your GoodReads library:

Shallow Breath


BTS for webThe absorbing plot of “Beneath the Shadows” shows that a quiet, non-violent mystery can pack a lot of punch.

Oline Cogdill, South Florida Sun-Sentinel

Foster’s captivating story is steeped in secrets locked in attics and hidden in cellars, good sisters, bad sisters, a ghost, a couple of brooding handsome men and almost as many characters with mother issues as a Sophocles play.

Carole Barrowman, Milwaukee Journal Sentinel

Foster’s second page-turning tale of suspense set on the snow-covered moors has something for everyone: mystery, romance, paranormal activity and mortal danger. 

Kirkus Reviews

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

The West Australian

BTS US for webBeneath the Shadows draws together an intriguing mystery, an atmospheric and gloomy setting that steals over you as you read it and an interesting and varied cast of supporting characters to create a psychological thriller that will definitely leave you wanting more from this author!

1girl2manybooks – to read the full review, click here

This is the second Sara Foster book that I have read (it is also her second release – so I now have a bit of a wait to get my Sara Foster fix again), and once again I was mesmerised by Sara’s writing, and completely pulled in by the story.

The Hungry Bookshelf – to read the full review, click here

Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill’s ghost stories.

The Saturday Age, 5 February 2011

…a mystery-suspense novel so thrilling it forces you to burn the midnight oil,

Flourish magazine, 11 February 2011. See full review and interview here.

Beneath the Shadows is full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.

Good Reading magazine, February 2011. For an online summary, click here.

…merges classicism and contemporary to winning effect.

a book a day till i can stay, #190 – see full review here.

This is an inricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

Chicklit Club, February 2011. See full review here.

Beneath the Shadows is a tense, suspenseful story of loss, secrets and ghostly presences.

The West Australian, 22 February 2011. See full review here.

When Adam inherits a lonely cottage, he and Grace and their baby move in. Then Adam vanishes. No trace, no clues… A year later, Grace still seeks answers but knows she must move on. The locals are reluctant to offer help, but it comes from an unexpected quarter. As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart stopping moments are ahead for her… and us.

Woman’s Day, 28 February 2011

A year after her husband’s disappearance, Grace returns to their home looking for closure. Set in England’s desolate moors, this page-turner has just the right amount of mystery.

In Style Magazine, March 2011

With spooky clocks, snowstorms, cursed chairs, family secrets, ominous portents, greasy letters written on glass, taciturn locals and a few ghosts, there’s something here for everyone who enjoys a good shiver up the spine. The moors, bleak, beautiful and unforgiving, provide the perfect backdrop.

M/C reviews, April 2011 – to read the full review, click here

If you love a novel with a twist, then Perth writer Sara Foster’s latest novel Beneath the Shadows is the perfect port in a winter storm.

ishoperth, July 2011

…a stunning thriller.

Western Advocate, July 2011

Beneath the Shadows is a great read by a talented Australian author. (5/5 stars)

The Australian Bookshelf – to read the full review, click here

For author interviews and general media, click herecol-md-2

Book Group Questions for Come Back to Me

1. Explore the different ways that the title theme of ‘Come Back to Me’ resonates throughout the book.

2. What do you think of Alex’s dilemma and choices? Can a person be truly in love with two people at the same time?

3. The changing nature of relationships between parents and children features prominently in the book. Discuss the nature and complexities of adult children’s relationships with their parents.

4. Each character goes on some kind of figurative journey within the novel. By the end, what do you think they each have learned, and how might it change them?

5. Different types of loss feature heavily in the novel. Which types of loss stand out most for you? How have these losses shaped the characters’ lives?

6. Each character in the book has personality traits that appear to be holding them back in life. Can you identify them? Do they change during the course of the story? If so, how?

7. Explore Alex’s motivations and experiences in the story. How much is he a victim of circumstance, and how much does he bring on himself through his decisions?

8. Where did your sympathies lie during the course of the novel, and why?

9. **NEW** At one point, Chloe asks: ‘What had she done to cause everything that was happening to her?’ This may be a harsh question to direct at herself, but it is an understandable one. Discuss how the notion of responsibility plays out in the novel, and the extent to which the characters are responsible for themselves or each others’ actions or reactions.

10. **NEW** Chloe, Alex and Julia/Amy have all pushed memories away or suppressed them in order to get on with their lives. Explore why they have done this, and what it means for them.

11. **NEW** Towards the end of the book, Margaret suggests to Chloe, ‘…maybe Alex is trying to protect you…’ Do you agree with this statement? Is that what Alex was trying to do?

12. **NEW** Throughout the book, there are lots of references to opportunities for connection between the characters, opportunities that might not come round again, or moments when they have to choose whether to speak or to withhold information. Can you identify these, and what do you think of the choices each character makes?col-md-2

Book Group Questions for Beneath the Shadows

1. The past is still too close to us… How does the past infiltrate and affect the present in Beneath the Shadows?

2. Grace is driven by her need for resolution: did you see this as an obstacle or a necessity for her?

3. Ghosts, omens, clocks that stop and start by themselves – is there a supernatural element in Roseby, or was it all just a figment of Grace’s imagination?

4. Windows and reflections are strong symbols in the novel. How do you interpret their significance?

5. Not only is Grace reading Rebecca, but throughout the book the classic novel is alluded to in others ways too. Consider these parallels, and what they contribute to the story.

6. By the end, the mystery of Adam’s disappearance is resolved. Yet Adam didn’t tell Grace where he’d put their money, his relationship with Jenny, or the existence of the cellar. How much do you think the reader gets to know the ‘real’ Adam?

7. How did you interpret Grace’s strange dreams? Were they warnings, her subconscious trying to process her fears, or something else?

8. How important is Annabel to the story? What role does she play?

9. Is Meredith a villain or a victim?

10. By going through their belongings and their memories, Grace seems to be trying to understand who Adam’s grandparents were. How far can she succeed, do you think? And why is this so important to her?col-md-2

Beneath the Shadows

How do you begin to move on, if the past won’t let you go?

When Grace’s husband, Adam, inherits a cottage on the isolated North Yorkshire moors, they leave London behind to try a new life. However, a week later, Adam vanishes, leaving their baby daughter on the doorstep.

The following year, Grace returns to the tiny village of Roseby. She is desperate for answers, but it seems the slumbering village is unwilling to give up its secrets. As Grace learns more about the locals and the area’s superstitions and folklore, strange dreams begin to trouble her. Are the villagers hiding something, or is she becoming increasingly paranoid? Only as snowfall threatens to cut them off from the rest of the world does Grace begin to understand how close the threat lies, and that she and her daughter may be in terrible danger if she cannot get them away in time.

Foster’s second page-turning tale of suspense set on the snow-covered moors has something for everyone: mystery, romance, paranormal activity and mortal danger.

Kirkus Reviews

Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill’s ghost stories.

The Saturday Age

…a stunning thriller.

Western Advocate

Praise for Beneath the Shadows

‘The absorbing plot of “Beneath the Shadows” shows that a quiet, non-violent mystery can pack a lot of punch.’

OLINE COGDILL
South Florida Sun-Sentinel

Foster’s captivating story is steeped in secrets locked in attics and hidden in cellars, good sisters, bad sisters, a ghost, a couple of brooding handsome men and almost as many characters with mother issues as a Sophocles play.

CAROLE BARROWMAN
Milwaukee Journal Sentinel

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

The West Australian

Beneath the Shadows draws together an intriguing mystery, an atmospheric and gloomy setting that steals over you as you read it and an interesting and varied cast of supporting characters to create a psychological thriller that will definitely leave you wanting more from this author!

1girl2manybooks

This is the second Sara Foster book that I have read (it is also her second release – so I now have a bit of a wait to get my Sara Foster fix again), and once again I was mesmerised by Sara’s writing, and completely pulled in by the story.

The Hungry Bookshelf

…a mystery-suspense novel so thrilling it forces you to burn the midnight oil

Flourish magazine

Beneath the Shadows is full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.

Good Reading magazine

…merges classicism and contemporary to winning effect.

a book a day till i can stay, #190

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

Chicklit Club

Beneath the Shadows is a tense, suspenseful story of loss, secrets and ghostly presences.

The West Australian

When Adam inherits a lonely cottage, he and Grace and their baby move in. Then Adam vanishes. No trace, no clues… A year later, Grace still seeks answers but knows she must move on. The locals are reluctant to offer help, but it comes from an unexpected quarter. As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart stopping moments are ahead for her… and us.

Woman’s Day

A year after her husband’s disappearance, Grace returns to their home looking for closure. Set in England’s desolate moors, this page-turner has just the right amount of mystery.

In Style Magazine

With spooky clocks, snowstorms, cursed chairs, family secrets, ominous portents, greasy letters written on glass, taciturn locals and a few ghosts, there’s something here for everyone who enjoys a good shiver up the spine. The moors, bleak, beautiful and unforgiving, provide the perfect backdrop.

M/C reviews

If you love a novel with a twist, then Perth writer Sara Foster’s latest novel Beneath the Shadows is the perfect port in a winter storm.

ishoperth

Beneath the Shadows is a great read by a talented Australian author. (5/5 stars)

The Australian Bookshelf

For Bookclubs

Book Club Questions (downloadable PDF)


If you’d like to read Beneath the Shadows for your book club, this downloadable PDF reading guide includes discussion questions for your group.

Do you have a burning question that you want to ask Sara about the book, or would you like a personalised video for your book club? Use the contact form to get in touch.

You can find downloadable PDFs for all Sara’s books on the Book Club page.


Add the book to your GoodReads library:

Beneath the Shadows


CBTM for web‘As a writer, an exceedingly good book to me, is when I don’t notice how it’s written, but find myself completely wrapped up in the story. Come Back to Me by Sara Foster was one of those books. I couldn’t put it down and lacked sleep for a few days.’ Michelle Dennis Evans

 

‘Set in both London and Perth, this is a moving story about impossible choices, about love, and about keeping a promise you made years ago, even if it risks everything you have now. I read this in one day and was left thinking about it for days afterwards. Keep a tissue close.’ July 2011 book of the month, www.ourbookclub.com.au

 

‘Come Back to Me is a complex story of relationships and how ones long ago finished can reappear at any moment and change the path you’re on. Despite the intricacies and twists in the storyline, it’s a quick and engrossing read – I powered through it in an afternoon. So very readable  – will keep you wondering and guessing (and in my case, praying that two certain people end up together) until the very last page.’ 8/10, 1girl2manybooks – to read the full review, click here

‘…this is a book that is big on secrets, everyone seems to be keeping secrets from everyone else, and it is a book that everybody’s stories seems to somehow intertwine with others, it is a story of love and loss, how being strong and taking charge can make us a better person, and how others perceive decisions that have been made even though they were too young, or not involved enough to know the reasons behind those decisions. 4.5/5.’ The Hungry Bookshelf – to read the full review, click here

 

CBTM Kindle for webSuspenseful, heartrending and transcontinental, Come Back to Me’s dynamic scenes extend from debauchery at an office party to a shocking outback crime. A complex psychological tale, Sara Foster’s debut novel…throws us headfirst into marital distress. Set in a middle-class world of city lawyers and designers, Come Back to Me is essentially a story of consequences…With its easy prose and short chapters, this is a novel suited to air travel. Yet it is sophisticated in two ways: it carefully considers the ramifications of split-second decisions on human relationships, and it highlights the importance of a strong question to a narrative…Each character, trapped in  this undercurrent of longing, makes the story somewhat earnest. But there is a balance in carefully placed moments of the everyday, like those in the relationship between Chloe and her wayward cousin. As a result, we, the avid readers, are continually reminded of the particular strength of the characters. It is a gentle strength, but a relatable one: the strength that comes from the simple, gallant act of moving forward.’ Kirsten Law, Australian Book Review, March 2010

This taut psychological drama will keep you enthralled as the mystery and tragedy of ten years ago gradually unravels.’ Northern Daily Leader, 20 February 2010

‘Come Back to Me is a wonderful debut novel. The stories of the four main characters are interwoven, with the reader taken on a journey through their past lives and the present, with revelations continuing right till the end… There is nothing not to like about this story – intriguing characters, plot twists, action and beautiful writing combine to produce a satisfying package.’ Sally Murphy, www.aussiereviews.com

‘The novel is both a stunning thriller and complex love story. It is an entertaining read.’ Border Mail, 27 February 2010

‘A new voice on the Australian fiction scene, Foster has taken an incident that she read about years ago when travelling and uses it to tell a haunting tale about relationships and the history that binds them.’ The Examiner [Launceston], 20 February 2010

‘…a dark psychological guessing game that will surprise you all the way till the end.’ ‘Read of the Week’, NW, 22 February 2010

‘Alex is happily married when he unexpectedly comes face to face with the girl he once loved. He has to decide if he should revisit the past, and risk everything with the wife he adores. This clever novel is deftly pulled together with secrets revealed right through to the last page.’ New Idea, 13 February 2010

‘Come Back to Me is a book for anyone who likes to be surprised by multiple twists and turns. Brilliant.’ http://www.thereadingstack.blogspot.com/

‘This is a very promising debut, with a storyline teeming with slowly revealed secrets and unexpected turns.’ http://www.chicklitclub.com

‘There’s no leisurely introduction to this story. Chloe and her husband Alex go to dine with her colleague Mark and his new date, Julia. But when Alex is introduced to Julia, it is soon apparent that something is very wrong. Julia vanishes, Alex is silent, Mark is furious, and Chloe struggles with her own secret as well as wondering about Alex’s past. Alex decides the only way for closure is to take Julia back to Perth where something dreadful happened. But in doing so, will he lose all he has? Can Julia face the past – and finally tell the truth? It’s a book to read in one sitting – you’ll be enthralled by the disquieting possibilities.’ Woman’s Day, 1 February 2010

‘What-ifs are the heart and soul of any good relationship story: what if we had stayed together, what if I had married someone different, what if I wasn’t having a baby? Here, Foster ties together all those life-crisis questions with the mysterious arrival of a missing ex-girlfriend. Although this will almost exclusively appeal to women, it is far from light and fluffy… [Rated 4/5 stars]’ The West Australian, Tuesday, 26 January 2010

‘A gripping read. Rewarding to the very end.’ Nicole Alexander, author of The Bark Cutters

For author interviews and general media, click herecol-md-2

Come Back To Me

Do you have to honour a promise you made in the past
if it means losing all that you have now?

When Mark introduces his date, Julia, to Chloe and her husband at a London restaurant, it’s obvious something is very, very wrong. Alex and Julia pretend not to know each other, but the shocked expressions on their faces tell another story.

As the mystery of Julia’s identity unravels, a terrible tragedy from ten years ago gradually comes to light. While Chloe struggles with a secret of her own, Alex has to decide whether he should take Julia back to Australia to try to lay the past to rest, when doing so will risk all he has with the wife he loves.

And Julia must decide whether to finally confront Alex with the whole truth about what happened back then.

Set in London and Perth, Come Back to Me is a taut psychological drama that will keep you enthralled until the very last page.

‘Suspenseful, heartrending and transcontinental, Come Back to Me’s dynamic scenes extend from debauchery at an office party to a shocking outback crime. A complex psychological tale, Sara Foster’s debut novel…throws us headfirst into marital distress. Set in a middle-class world of city lawyers and designers, Come Back to Me is essentially a story of consequences…With its easy prose and short chapters, this is a novel suited to air travel. Yet it is sophisticated in two ways: it carefully considers the ramifications of split-second decisions on human relationships, and it highlights the importance of a strong question to a narrative…Each character, trapped in this undercurrent of longing, makes the story somewhat earnest. But there is a balance in carefully placed moments of the everyday, like those in the relationship between Chloe and her wayward cousin. As a result, we, the avid readers, are continually reminded of the particular strength of the characters. It is a gentle strength, but a relatable one: the strength that comes from the simple, gallant act of moving forward.’

KIRSTEN LAW
 Australian Book Review

Praise for Come Back to Me

‘Sara Foster’s debut novel is both a stunning thriller and complex love story.
She is a wonderful new arrival in Australian writing.’

JESSICA ADAMS

‘Alex is happily married when he unexpectedly comes face to face with the girl he once loved. He has to decide if he should revisit the past, and risk everything with the wife he adores. This clever novel is deftly pulled together with secrets revealed right through to the last page.’

New Idea

As a writer, an exceedingly good book to me, is when I don’t notice how it’s written, but find myself completely wrapped up in the story. Come Back to Me by Sara Foster was one of those books. I couldn’t put it down and lacked sleep for a few days.

MICHELLE DENNIS EVANS

Set in both London and Perth, this is a moving story about impossible choices, about love, and about keeping a promise you made years ago, even if it risks everything you have now. I read this in one day and was left thinking about it for days afterwards. Keep a tissue close.

July 2011 book of the month
www.ourbookclub.com.au

Come Back to Me is a complex story of relationships and how ones long ago finished can reappear at any moment and change the path you’re on. Despite the intricacies and twists in the storyline, it’s a quick and engrossing read – I powered through it in an afternoon. So very readable – will keep you wondering and guessing (and in my case, praying that two certain people end up together) until the very last page.’

1girl2manybooks

‘…this is a book that is big on secrets, everyone seems to be keeping secrets from everyone else, and it is a book that everybody’s stories seems to somehow intertwine with others, it is a story of love and loss, how being strong and taking charge can make us a better person, and how others perceive decisions that have been made even though they were too young, or not involved enough to know the reasons behind those decisions.’ 4.5/5

The Hungry Bookshelf

‘There’s no leisurely introduction to this story. Chloe and her husband Alex go to dine with her colleague Mark and his new date, Julia. But when Alex is introduced to Julia, it is soon apparent that something is very wrong. Julia vanishes, Alex is silent, Mark is furious, and Chloe struggles with her own secret as well as wondering about Alex’s past. Alex decides the only way for closure is to take Julia back to Perth where something dreadful happened. But in doing so, will he lose all he has? Can Julia face the past – and finally tell the truth? It’s a book to read in one sitting – you’ll be enthralled by the disquieting possibilities.’

Woman’s Day

Come Back to Me is a wonderful debut novel. The stories of the four main characters are interwoven, with the reader taken on a journey through their past lives and the present, with revelations continuing right till the end… There is nothing not to like about this story – intriguing characters, plot twists, action and beautiful writing combine to produce a satisfying package.’

SALLY MURPHY

‘A new voice on the Australian fiction scene, Foster has taken an incident that she read about years ago when travelling and uses it to tell a haunting tale about relationships and the history that binds them.’

The Examiner [Launceston]

‘What-ifs are the heart and soul of any good relationship story: what if we had stayed together, what if I had married someone different, what if I wasn’t having a baby? Here, Foster ties together all those life-crisis questions with the mysterious arrival of a missing ex-girlfriend. Although this will almost exclusively appeal to women, it is far from light and fluffy…’

The West Australian

…a dark psychological guessing game that will surprise you all the way till the end.

‘Read of the Week’, NW

‘This taut psychological drama will keep you enthralled as the mystery and tragedy of ten years ago gradually unravels.’

Northern Daily Leader

‘Come Back to Me is a book for anyone who likes to be surprised by multiple twists and turns. Brilliant.’

http://www.thereadingstack.blogspot.com/

‘The novel is both a stunning thriller and complex love story. It is an entertaining read.’

Border Mail

‘A gripping read. Rewarding to the very end.’

NICOLE ALEXANDER
author of The Bark Cutters

For Bookclubs

Book Club Questions (downloadable PDF)


If you’d like to read Come Back to Me for your book club, this downloadable PDF reading guide includes discussion questions for your group.

Do you have a burning question that you want to ask Sara about the book, or would you like a personalised video for your book club? Use the contact form to get in touch.

You can find downloadable PDFs for all Sara’s books on the Book Club page.


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Come Back to Me