Book news, Inspiration, My Writing Life, Other

An evening with Jodi Picoult and Samantha van Leer

It’s safe to say I am a HUGE Jodi Picoult fan. Her writing style appears effortless, but that is the trick of a master: to move a plot at entertaining speed while still capturing those compelling intricacies found in small moments. What’s more, her subject choices are always gritty and compelling, and her characters complex and real. So it was a real thrill to be in the audience last night when Jodi and her daughter Samantha visited Perth to talk about their new book.

Between the Lines was conceived by Samantha, who had the idea of a fairytale character with a life beyond the book’s pages, and a lonesome teenage girl who wishes this prince was real. Both Jodi and Samantha read excerpts from the book, and talked about what a great time they had writing it together – spending eight hours a day working on it line by line, speaking the story out loud to one another, and aiming for a certain number of pages a session.

In the Q&A afterwards, Jodi named Second Glance as the favourite of her books (because she had a great time researching it, and felt she nailed its complexity). Samantha spoke of her disconcertion as she watched readers devour their book in a few days, after she and Jodi had spent three years working on it. (I remember a similar feeling when Come Back to Me came out – I couldn’t believe people could move on so fast when I’d been absorbed in the story for such a long time!) And Jodi gave her verdict on writer’s block as a writer having too much time on their hands. Just write, she urged. You can edit a bad page but you can’t edit a blank page.

I love this photo! It looks like I just ran in with a cheesy grin while Jodi and Samantha were having their picture taken.

Afterwards it was well worth waiting in the very long line to get my battered old copy of My Sister’s Keeper signed by Jodi, and my brand-new copy of Between the Lines signed by Samantha. Most of all, it was a real buzz to be able to say to Jodi directly, in the few brief moments I was in front of her, that she has been a true inspiration to me. Reading a Picoult book always re-energises me, and makes me aim higher in my own work.

NB: The first book I read by Jodi Picoult was, like many others, My Sister’s Keeper. It was fascinating to find out what she thought of the film, particularly the different ending. I found a blog link where Jodi answers a similar question, and you can read it here: http://filmvsbook.blogspot.com.au/2012/03/jodi-picoult-on-my-sisters-keeper.htmlcol-md-2

July 18, 2012/2 Comments/by Sara

Book news, My Writing Life, Other

Hello US and Canada – today’s the day! Beneath the Shadows is available to buy!

I’m absolutely thrilled that Beneath the Shadows is released in the US and Canada today! Its journey began over ten years ago now, when I sketched out the first chapter in a small room in our little rented flat in Kent, south England. My central character Grace was with me for a long time, and after many years (and another novel!), the final chapter was written in our house on the west coast of Australia. Since then it has been a privilege to share the story with readers, and I’m delighted that from today it has spread its wings even further and reached such distant shores. Storytelling is the best job in the world for exactly this reason: it knows no boundaries, a story can be shared between people who are half a world apart as though they were sitting in the same room. So hello to everybody in North America who picks up Beneath the Shadows – I really hope you enjoy getting to know Grace and the colourful cast of characters in the little village of Roseby.

My final word of thanks must go to the fabulous team at St Martin’s Press and Minotaur, who have done such a fabulous job putting Beneath the Shadows together, and getting the word out. In particular, thank you to Anne Bensson, for showing such faith in a new writer, who lives so far away in the most isolated city on earth!col-md-2

June 5, 2012/0 Comments/by Sara

Book news, My Writing Life

Perth Writers Festival #3: Fiction discussion at its finest

To begin with, I was drawn to the writers in the session entitled ‘Reverberations from the past’ more than the topic. Natasha Lester is a friend of mine, whose beautifully crafted book, What is Left Over, After, won the TAG Hungerford in 2009, and I’ve read and heard so much about Gail Jones’ and Jon Bauer’s books that makes me want to pick them up as soon as I can. During the session, all three writers breathed fresh life into the over-analysed theme, and every audience member appeared captivated by their eloquence and their ideas. Gail Jones spoke about how other writers, including Virginia Woolf in ‘Sketches of the Past’ addressed the issue; Natasha Lester told us about the wonder tales of the French court in the 14^th century and how she used them in her novel; then Jon Bauer read a piece he had written for the event, which was filled with soundbites, such as ‘The past is not a foreign country, nor is it the past. It is you, now.’ In the following discussion they each spoke of how their own experience had found different routes and resonances in their writing. Jon Bauer had used some personal challenges of his childhood; Gail Jones’ drew on the story her great-grandfather, who committed suicide in a Kalgoorlie hotel; while Natasha recently reached out to others in a creative non-fiction piece about her experiences of her daughter’s hip dysplasia (published in the WA journal Indigo). They all discussed how they looked for the subtle but resonant aspects of experience that might be used in storytelling to convey authentic feeling and reflection to greatest effect, whether representing grief in the landscape or manifesting in a character’s physical appearance.

Finally, Jon Bauer answered one audience member’s question in a way well worth noting. When asked about how to move a piece of writing forward, he said he wanted to respect the fact the writer was lost and struggling, as we all are at times in writing, and therefore he wouldn’t answer the question in order to empower the gentleman to find his own way through. Such an eloquent way of encouraging a writer to keep reaching for their own authentic, unique voice.col-md-2

March 11, 2011/2 Comments/by Sara

Book news, My Writing Life

Perth Writers Festival #2: The death of print?

On Sunday morning I attended a Perth Writers Festival session discussing the future of printed books in this world of rapid, almost rabid, technological change. I was completely engrossed listening to the panel of Geordie Williamson (chief literary critic of the Australian), James Bradley (novelist), Lev Grossman (novelist) and Angela Meyer (writer, Literary Minded blog) as they contributed a wealth of suggestions and observations. There were a few differences of opinion, but one thing was for certain: change is already upon us, whether we are prepared for it or not.

I came away feeling reasonably positive. James Bradley noted that, as happened with the music industry, the restructuring of the book industry would engender a new wave of creativity. Lev Grossman suggested that the new technologies need not mean the death of the old ones, but rather the advent of something ‘more complex and interesting’. And Angela Meyer proposed that the bookstores who prevail will be the ones who create a culture around themselves, such as the Readings chain in Melbourne (which I’m excited to be visiting for the first time next week). Geordie Williamson observed that we may end up seeing a more diverse industry, akin to the way things operated before conglomerate consolidation.

One question raised was whether the enhanced e-book is a good or bad thing – or indeed if it is possible to authentically translate all books into standard or enhanced e-formats. I loved Lev Grossman’s statement that ‘just because you can do something doesn’t mean you should’ (something that sprang to mind again as I looked longingly at the scones in my local cafe this morning). Geordie Williamson’s related comment, that in our excitement we may begin to see technology as a virtue in itself instead of a tool, also rang bells with me – because my fiction books are written with the aim that I want you to lose yourself in them. I don’t want you to pause to click on words to find out their meaning unless you absolutely have to. I don’t want your e-reader battery life to run out just before the final chapter. I don’t want you to accidentally press the wrong button and find yourself reading a random page. I guess in some ways my novels (and, heaven forbid, me?!) are a little bit old school, so I’m happy I am writing at a time when I can see them in print.

I got home that night and saw on Twitter that the publishers of the Oxford dictionary have conceded there is no point in publishing the printed version any more. From now on it will be online only. I thought of my enormous dictionary in the study, which I frequently don’t bother to haul out, since I can look up a word much faster on the internet. And yet… to flick through page after page of minuscule text and find random words you never knew existed … to be able to feel the English language as a weight in your hands… The loss may not be registered by future generations, but at that moment I began to feel it.

However, on the panel, James Bradley told us that Socrates apparently deplored the coming of the written text as he said we’d no longer have to remember things. It’s a reminder that many fears prove unfounded, and that change, loss and adaptation are part and parcel of life. So while I may get nostalgic for the vanishing worlds of this wonderful business, I’m also looking ahead with optimism and excitement at what may come next, and enjoying being part of it all.col-md-2

March 10, 2011/2 Comments/by Sara

Author Interviews

GUEST BLOG: NICOLE ALEXANDER, author of A Changing Land

I’m delighted to welcome Nicole Alexander, author of the bestselling debut novel The Bark Cutters (Bantam 2010), which I had the true privilege of reading before it was published. Her travel, poetry & genealogy articles have been published in Australia, America and Singapore and her first volume of poetry, Divertissements-Love·War·Society (Kre8 Publishing) was published in 2008. Nicole is the business manager on her family’s rural holding north west of Moree and is a regular contributor to New England Country Living Magazine. A Changing Land, her second novel, has just been published, and is already climbing the charts. Over to Nicole to tell us more:

When I signed my contract with Random House for my rural novel, The Bark Cutters, I hadn’t planned on writing a sequel. I was still getting over the excitement of landing a major publishing contract when the publisher said they would like one. However as the initial contract was for two books I excitedly wrote a one page synopsis and sent it off. Then reality set in. I had twelve months to write it. Twelve months less the editorial process involved in turning The Bark Cutters from manuscript to novel form, twelve months less a month touring for the first novel, less my normal work commitments on the property where I live 110km northwest of Moree in north western NSW.

While the concept of bringing two novels out in quick succession in order to cement your reading audience makes perfect sense from a marketing perspective, from the author’s perspective suddenly your days are measured in terms of how many words you put down on paper: In an hour, a day, a week. Eventually I wrote A Changing Land in eight months. Along the way I suspect I wrote and deleted approximately thirty thousand words, suffered from cramping in my fingers and right hand, developed a healthy fondness for merlot and became acutely conscious of how much faith a publisher must place in a new fiction writer. Publishers invest many hours and thousands of dollars in establishing new authors and I’m sure Random House were holding their collective breaths hoping I wasn’t a one book wonder. So was I!

Luckily they liked A Changing Land. The writing of this novel was made easier as I already knew the world my story was set in. I knew my environment. I can still mentally wander the landscape that is Wangallon and I can draw a mud map in the dirt as to the exact location of the Wangallon homestead, creek, aboriginal camp and river. I could envisualise my characters talking to each other and through them the plot gradually unfolded, a natural progression of the original story. The environment was so real to me I could smell it and I realised how important it is to know your created world even better than your real one, for otherwise how can you make it believeable?

For those of you who have not read The Bark Cutters, A Changing Land is a stand-alone work. You can certainly pick it up and be thrust into the continuing legacy of the Gordons. So for a brief story rundown it is about four generations of a rural family, the Gordons. The work has an interweaving narrative with the story split between 1909 and 1990.

It’s 1909 and Hamish Gordon has a large rural holding built on stock theft. Determined not to bow to his wife Claire’s genteel need for respectability, he embarks on a final stage of land acquisition. His ruthless plan, triggered by an antagonistic English neighbour nearly destroys Wangallon and has serious repercussions eighty years on.

In 1990 after the death of her grandfather and family patriarch Angus, fourth generation Sarah Gordon now runs Wangallon with her fiancé, Anthony. Their relationship begins to deteriorate when a power struggle develops between them, Sarah’s problems escalating with the arrival of her Scottish half-brother. Jim Macken is intent on receiving the thirty percent share of Wangallon bequeathed to him by Angus. Stunned by her grandfather’s will which effectively destroys the family legacy of a strong succession plan, Sarah discovers that Anthony has embarked on a project that will ultimately change the face of the property forever. Unable to buy Jim out and with the possibility of losing one third of Wangallon, Sarah finds herself fighting the law, her half-brother and her beloved Anthony.

Sarah knows she must continue in her forefathers’ footsteps, however has she the same unescapable Gordon qualities that will ensure both her and Wangallon’s survival.

I’m touring NSW/QLD to chat about A Changing Land during March & May (while trying to write book 3!) so please visit www.nicolealexander.com.au for details or contact me through my site. Enjoy!

Thanks for popping by, Nicole, and wishing you the best of luck with your novels.col-md-2

March 9, 2011/4 Comments/by Sara

Author Interviews

GUEST BLOG: FLEUR MCDONALD, author of Blue Skies and Red Dust

I’m very excited to introduce Fleur McDonald, a fellow West Australian, as my guest blogger today. Fleur has written two brilliant books, Red Dust and Blue Skies, and is currently busy working on a third, called Purple Roads. Please check out her fantastic website and blog at www.fleurmcdonald.com. Over to Fleur:

I love thunderstorms. To me they represent unbridled power and helplessness all in one. The power they produce, we humans can’t harness, which makes us at the mercy of the storm, therefore the power/helplessness.

Thunderstorms always seem – well on the coast, anyway, to be in layers. First of all there is the high, white strips of cloud that streak, in wisps, across the sky. As the storm starts to stream in over the hill, huge indigo coloured rollers make us stop and watch. I’m often unable to tear my eyes away from what is about to happen. Lastly, and this does really only seem to happen on the coast, the cold, scuddy, murky grey clouds seem to come up from the sea and lay across the menacing clouds, giving the storm three sections.

And then as these clouds roll through, we wait. The sky darkens, the atmosphere, the humans and stock all tense in anticipation.

At the first crack of thunder we all jump, even though it’s expected, the lightning sheets across the sky or forks and hits the ground. Again we hold our breath, watching for fires, but when the rains start, we laugh and lift our faces to the heavens. No fires, nothing destructive, just life-giving rain.

Creating a book is much like this, believe it or not! The book holds the all the power and, as the writer, I feel helpless, until the setting and characters emerge and introduce themselves to me. It starts in layers, the first one being the setting, like the high clouds, it doesn’t do much, but it creates the atmosphere. For me, as both a reader and a writer, I want to be immersed in the place that the story is being told. I want to breathe the air my characters are and see the things they do.

The second layer is the plot. The very thing that gives the book the control to draw the reader in.

The third layer is the characters. They are what makes the book – who they are, how does their setting effect them, make them the people they are and have the relationships they have. Now my issue is getting it all to mesh together, weaving the suspense and action into normal peoples lives. It takes time and it can be frustrating, but as it all comes together, then comes the anticipation – what is going to happen next, we’re all waiting…

Bang! A thunder clap – or a pivotal point in the book.

Lightning strike – gasp, hold your breath! Is there going to be a ‘fire’?

Then the rain is the ending, we’re happy to see it because now we know what is going to happen, why it did and how we got to the finish line.

So to me, writing a book is a lot like a thunderstorm; a rollercoaster of emotion, plots, characters and settings. Although sometimes frustrating, I love every minute of it!

I couldn’t agree more. Thanks for visiting, Fleur!col-md-2

March 1, 2011/2 Comments/by Sara

Other

Guesting on Ah, the Possibilities blog site

I have been writing about the experience of being a book editor and a writer on Ah, the Possibilities, a fabulous blog site run by Sarah, a lovely fellow West Aussie. Check out what I had to say here: http://www.ahthepossibilities.com/2011/01/drumroll-sara-foster-author.htmlcol-md-2

February 2, 2011/0 Comments/by Sara

Book news, My Writing Life, Writing and editing tips

Don’t get rejected before they’ve even read a word…

People who work in book publishing always have a ridiculous amount of reading to get through. I once worked on what is pejoratively termed the ‘slush pile’ in the HarperCollins fiction department, where I would often be the first reader. As such, I would get to decide if the story was worth further consideration by those higher up the chain. There were so many submissions I don’t think I was ever on top of it.

So, when submitting your work, to give yourself a head start you need to make your book stand out. Why does the publisher HAVE to read it? (If you’re not sure, how can they be?) Why do you believe in what you are doing? What is it about this book that warrants the attention of the book-buying public? If you are able to provide an agent or publisher with this kind of information BEFORE they look at it, then – as long as they are enthusiastic, of course – you’re a step ahead.

How can you make a potential agent or publisher want to read a script? It’s a big question, and you should take your time and consider your approach. First and foremost you need to stop thinking like a writer and start thinking like a marketeer. Can you condense your story down into one or two awesome sentences? If you can, you’ve developed a pitch, and depending on the policy of the publisher/agent in question, you can use this to get people interested – either on the phone or via cover letters/emails. I realise this can be scary, as you might get an immediate no. But the pitch will remain important right through to the book-buying stage, because in this frenetically paced market you never have very long to grab anyone’s attention. Don’t start pitching until you’re ready, as a publisher isn’t going to take very seriously the person who develops a new pitch every few weeks. They want to know you are focused and serious about what you are doing.

Do you know which market you’re aiming for? Have you thought about how your book will compete with others on the shelves? Why is it different? Why will readers pick up your travel book on Rome rather than the Lonely Planet’s? If you can give a publisher answers to these kinds of questions (without them having to ask), you will pique their interest. Otherwise, if such questions come up and you have no reply, you will look naïve.

Look at submissions policies very carefully and use them to your advantage. A script that comes in clean, tidy, correctly formatted according to guidelines, and with a concise covering letter will get more attention than the dog-eared, single-spaced tome with a rambling two-page explanation. Are there small embellishments you can use to draw people’s attention – artwork, for example? Be careful with using unusual fonts – only attempt it if they fit the kind of book you are working on, and remember they must still be easily readable. If you make the presentation too much of a challenge for a publisher, you are shooting yourself in the foot before you’ve begun.

Can you do anything else differently to get people’s attention? Your ploys need to be subtle, as at this stage a busy agent/publisher is doing you a favour by reading your work. When I worked in-house we would get writers ringing up demanding why we hadn’t yet got to their synopsis and outline, and that didn’t go down well. Never mind the writing, who wants to work on publishing a book with a stroppy, argumentative author. If you haven’t heard anything for a while, keep your inquiry courteous. You can remind them why they really should read your book, but be careful how far you push.

The submissions stage is one where books and dreams are made or broken. Success is a combination of skill, perseverance, patience and good fortune (and much more besides) – but the only way the final line is ever drawn is the moment you give up. Good luck!col-md-2

August 4, 2010/0 Comments/by Sara

Book news, My Writing Life

Editing Beneath the Shadows

I’m about to start editing Beneath the Shadows, and I’m very excited about it. It is through this process that my book will gradually evolve from its raw first draft into a finely polished finished piece. With a background as an editor I feel very open to the editing process, which can be pretty daunting and confronting for a writer. Everything from characters, plot and pace, and the strength of the writing itself, is examined thoroughly during editing; and as a result the book can change quite a bit, sometimes in ways the author never envisioned. Come Back to Me was a much better book after editing, and I’m sure that it will be the same for Beneath the Shadows.

Beneath the Shadows is currently at the structural editing stage. So we’re looking at things like how the chapters work, both on their own and with one another; whether the characters are developing fully; if there are gaps that need filling, or sections that need paring back. So wish me luck, and I’ll post some updates on how it’s going.col-md-2

May 23, 2010/0 Comments/by Sara

Beneath the Shadows

The absorbing plot of “Beneath the Shadows” shows that a quiet, non-violent mystery can pack a lot of punch.

Oline Cogdill, South Florida Sun-Sentinel

Foster’s captivating story is steeped in secrets locked in attics and hidden in cellars, good sisters, bad sisters, a ghost, a couple of brooding handsome men and almost as many characters with mother issues as a Sophocles play.

Carole Barrowman, Milwaukee Journal Sentinel

Foster’s second page-turning tale of suspense set on the snow-covered moors has something for everyone: mystery, romance, paranormal activity and mortal danger.

Kirkus Reviews

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

The West Australian

BTS US for web Beneath the Shadows draws together an intriguing mystery, an atmospheric and gloomy setting that steals over you as you read it and an interesting and varied cast of supporting characters to create a psychological thriller that will definitely leave you wanting more from this author!

1girl2manybooks – to read the full review, click here

This is the second Sara Foster book that I have read (it is also her second release – so I now have a bit of a wait to get my Sara Foster fix again), and once again I was mesmerised by Sara’s writing, and completely pulled in by the story.

The Hungry Bookshelf – to read the full review, click here

Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill’s ghost stories.

The Saturday Age, 5 February 2011

…a mystery-suspense novel so thrilling it forces you to burn the midnight oil,

Flourish magazine, 11 February 2011. See full review and interview here.

Beneath the Shadows is full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.

Good Reading magazine, February 2011. For an online summary, click here.

…merges classicism and contemporary to winning effect.

a book a day till i can stay, #190 – see full review here.

This is an inricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

Chicklit Club, February 2011. See full review here.

Beneath the Shadows is a tense, suspenseful story of loss, secrets and ghostly presences.

The West Australian, 22 February 2011. See full review here.

When Adam inherits a lonely cottage, he and Grace and their baby move in. Then Adam vanishes. No trace, no clues… A year later, Grace still seeks answers but knows she must move on. The locals are reluctant to offer help, but it comes from an unexpected quarter. As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart stopping moments are ahead for her… and us.

Woman’s Day, 28 February 2011

A year after her husband’s disappearance, Grace returns to their home looking for closure. Set in England’s desolate moors, this page-turner has just the right amount of mystery.

In Style Magazine, March 2011

With spooky clocks, snowstorms, cursed chairs, family secrets, ominous portents, greasy letters written on glass, taciturn locals and a few ghosts, there’s something here for everyone who enjoys a good shiver up the spine. The moors, bleak, beautiful and unforgiving, provide the perfect backdrop.

M/C reviews, April 2011 – to read the full review, click here

If you love a novel with a twist, then Perth writer Sara Foster’s latest novel Beneath the Shadows is the perfect port in a winter storm.

ishoperth, July 2011

…a stunning thriller.

Western Advocate, July 2011

Beneath the Shadows is a great read by a talented Australian author. (5/5 stars)

The Australian Bookshelf – to read the full review, click here

For author interviews and general media, click herecol-md-2

February 5, 2011/0 Comments/by Sara

Come Back to Me

‘As a writer, an exceedingly good book to me, is when I don’t notice how it’s written, but find myself completely wrapped up in the story. Come Back to Me by Sara Foster was one of those books. I couldn’t put it down and lacked sleep for a few days.’ Michelle Dennis Evans

‘Set in both London and Perth, this is a moving story about impossible choices, about love, and about keeping a promise you made years ago, even if it risks everything you have now. I read this in one day and was left thinking about it for days afterwards. Keep a tissue close.’ July 2011 book of the month, www.ourbookclub.com.au

‘Come Back to Me is a complex story of relationships and how ones long ago finished can reappear at any moment and change the path you’re on. Despite the intricacies and twists in the storyline, it’s a quick and engrossing read – I powered through it in an afternoon. So very readable – will keep you wondering and guessing (and in my case, praying that two certain people end up together) until the very last page.’ 8/10, 1girl2manybooks – to read the full review, click here

‘…this is a book that is big on secrets, everyone seems to be keeping secrets from everyone else, and it is a book that everybody’s stories seems to somehow intertwine with others, it is a story of love and loss, how being strong and taking charge can make us a better person, and how others perceive decisions that have been made even though they were too young, or not involved enough to know the reasons behind those decisions. 4.5/5.’ The Hungry Bookshelf – to read the full review, click here

‘Suspenseful, heartrending and transcontinental, Come Back to Me’s dynamic scenes extend from debauchery at an office party to a shocking outback crime. A complex psychological tale, Sara Foster’s debut novel…throws us headfirst into marital distress. Set in a middle-class world of city lawyers and designers, Come Back to Me is essentially a story of consequences…With its easy prose and short chapters, this is a novel suited to air travel. Yet it is sophisticated in two ways: it carefully considers the ramifications of split-second decisions on human relationships, and it highlights the importance of a strong question to a narrative…Each character, trapped in this undercurrent of longing, makes the story somewhat earnest. But there is a balance in carefully placed moments of the everyday, like those in the relationship between Chloe and her wayward cousin. As a result, we, the avid readers, are continually reminded of the particular strength of the characters. It is a gentle strength, but a relatable one: the strength that comes from the simple, gallant act of moving forward.’ Kirsten Law, Australian Book Review, March 2010

‘This taut psychological drama will keep you enthralled as the mystery and tragedy of ten years ago gradually unravels.’ Northern Daily Leader, 20 February 2010

‘Come Back to Me is a wonderful debut novel. The stories of the four main characters are interwoven, with the reader taken on a journey through their past lives and the present, with revelations continuing right till the end… There is nothing not to like about this story – intriguing characters, plot twists, action and beautiful writing combine to produce a satisfying package.’ Sally Murphy, www.aussiereviews.com

‘The novel is both a stunning thriller and complex love story. It is an entertaining read.’ Border Mail, 27 February 2010

‘A new voice on the Australian fiction scene, Foster has taken an incident that she read about years ago when travelling and uses it to tell a haunting tale about relationships and the history that binds them.’ The Examiner [Launceston], 20 February 2010

‘…a dark psychological guessing game that will surprise you all the way till the end.’ ‘Read of the Week’, NW, 22 February 2010

‘Alex is happily married when he unexpectedly comes face to face with the girl he once loved. He has to decide if he should revisit the past, and risk everything with the wife he adores. This clever novel is deftly pulled together with secrets revealed right through to the last page.’ New Idea, 13 February 2010

‘Come Back to Me is a book for anyone who likes to be surprised by multiple twists and turns. Brilliant.’ http://www.thereadingstack.blogspot.com/

‘This is a very promising debut, with a storyline teeming with slowly revealed secrets and unexpected turns.’ http://www.chicklitclub.com

‘There’s no leisurely introduction to this story. Chloe and her husband Alex go to dine with her colleague Mark and his new date, Julia. But when Alex is introduced to Julia, it is soon apparent that something is very wrong. Julia vanishes, Alex is silent, Mark is furious, and Chloe struggles with her own secret as well as wondering about Alex’s past. Alex decides the only way for closure is to take Julia back to Perth where something dreadful happened. But in doing so, will he lose all he has? Can Julia face the past – and finally tell the truth? It’s a book to read in one sitting – you’ll be enthralled by the disquieting possibilities.’ Woman’s Day, 1 February 2010

‘What-ifs are the heart and soul of any good relationship story: what if we had stayed together, what if I had married someone different, what if I wasn’t having a baby? Here, Foster ties together all those life-crisis questions with the mysterious arrival of a missing ex-girlfriend. Although this will almost exclusively appeal to women, it is far from light and fluffy… [Rated 4/5 stars]’ The West Australian, Tuesday, 26 January 2010

‘A gripping read. Rewarding to the very end.’ Nicole Alexander, author of The Bark Cutters

For author interviews and general media, click herecol-md-2

November 27, 2009/0 Comments/by jameswilliams90

Come Back to Me

Come Back To Me

Do you have to honour a promise you made in the past

if it means losing all that you have now?

When Mark introduces his date, Julia, to Chloe and her husband at a London restaurant, it’s obvious something is very, very wrong. Alex and Julia pretend not to know each other, but the shocked expressions on their faces tell another story.

As the mystery of Julia’s identity unravels, a terrible tragedy from ten years ago gradually comes to light. While Chloe struggles with a secret of her own, Alex has to decide whether he should take Julia back to Australia to try to lay the past to rest, when doing so will risk all he has with the wife he loves.

And Julia must decide whether to finally confront Alex with the whole truth about what happened back then.

Set in London and Perth, Come Back to Me is a taut psychological drama that will keep you enthralled until the very last page.

Australian ebook available at: Amazon.com.au; Apple; Kobo

Available as an ebook outside Australia on Amazon.

Add the book to your GoodReads library:

Also available in audiobook (US only):

Apple

Audible

Downpour

Published by Tantor Audio

Come Back to Me Book Club Questions (downloadable PDF)

Reviews

‘Sara Foster’s debut novel is both a stunning thriller and complex love story.
She is a wonderful new arrival in Australian writing.’

Jessica Adams

As a writer, an exceedingly good book to me, is when I don’t notice how it’s written, but find myself completely wrapped up in the story. Come Back to Me by Sara Foster was one of those books. I couldn’t put it down and lacked sleep for a few days.

Michelle Dennis Evans

Set in both London and Perth, this is a moving story about impossible choices, about love, and about keeping a promise you made years ago, even if it risks everything you have now. I read this in one day and was left thinking about it for days afterwards. Keep a tissue close.

July 2011 book of the month, www.ourbookclub.com.au

Come Back to Me is a complex story of relationships and how ones long ago finished can reappear at any moment and change the path you’re on. Despite the intricacies and twists in the storyline, it’s a quick and engrossing read – I powered through it in an afternoon. So very readable – will keep you wondering and guessing (and in my case, praying that two certain people end up together) until the very last page. 8/10

1girl2manybooks – to read the full review,click here

…this is a book that is big on secrets, everyone seems to be keeping secrets from everyone else, and it is a book that everybody’s stories seems to somehow intertwine with others, it is a story of love and loss, how being strong and taking charge can make us a better person, and how others perceive decisions that have been made even though they were too young, or not involved enough to know the reasons behind those decisions. 4.5/5

The Hungry Bookshelf – to read the full review, click here

Suspenseful, heartrending and transcontinental, Come Back to Me’s dynamic scenes extend from debauchery at an office party to a shocking outback crime. A complex psychological tale, Sara Foster’s debut novel…throws us headfirst into marital distress. Set in a middle-class world of city lawyers and designers, Come Back to Me is essentially a story of consequences…With its easy prose and short chapters, this is a novel suited to air travel. Yet it is sophisticated in two ways: it carefully considers the ramifications of split-second decisions on human relationships, and it highlights the importance of a strong question to a narrative…Each character, trapped in this undercurrent of longing, makes the story somewhat earnest. But there is a balance in carefully placed moments of the everyday, like those in the relationship between Chloe and her wayward cousin. As a result, we, the avid readers, are continually reminded of the particular strength of the characters. It is a gentle strength, but a relatable one: the strength that comes from the simple, gallant act of moving forward.

Kirsten Law, Australian Book Review, March 2010

This taut psychological drama will keep you enthralled as the mystery and tragedy of ten years ago gradually unravels.

Northern Daily Leader, 20 February 2010

Come Back to Me is a wonderful debut novel. The stories of the four main characters are interwoven, with the reader taken on a journey through their past lives and the present, with revelations continuing right till the end… There is nothing not to like about this story – intriguing characters, plot twists, action and beautiful writing combine to produce a satisfying package.

Sally Murphy, www.aussiereviews.com

The novel is both a stunning thriller and complex love story. It is an entertaining read.

Border Mail, 27 February 2010

A new voice on the Australian fiction scene, Foster has taken an incident that she read about years ago when travelling and uses it to tell a haunting tale about relationships and the history that binds them.

The Examiner [Launceston], 20 February 2010

…a dark psychological guessing game that will surprise you all the way till the end.

‘Read of the Week’, NW, 22 February 2010

Alex is happily married when he unexpectedly comes face to face with the girl he once loved. He has to decide if he should revisit the past, and risk everything with the wife he adores. This clever novel is deftly pulled together with secrets revealed right through to the last page.

New Idea, 13 February 2010

Come Back to Me is a book for anyone who likes to be surprised by multiple twists and turns. Brilliant

http://www.thereadingstack.blogspot.com/

This is a very promising debut, with a storyline teeming with slowly revealed secrets and unexpected turns.

http://www.chicklitclub.com

There’s no leisurely introduction to this story. Chloe and her husband Alex go to dine with her colleague Mark and his new date, Julia. But when Alex is introduced to Julia, it is soon apparent that something is very wrong. Julia vanishes, Alex is silent, Mark is furious, and Chloe struggles with her own secret as well as wondering about Alex’s past. Alex decides the only way for closure is to take Julia back to Perth where something dreadful happened. But in doing so, will he lose all he has? Can Julia face the past – and finally tell the truth? It’s a book to read in one sitting – you’ll be enthralled by the disquieting possibilities.

Woman’s Day, 1 February 2010

What-ifs are the heart and soul of any good relationship story: what if we had stayed together, what if I had married someone different, what if I wasn’t having a baby? Here, Foster ties together all those life-crisis questions with the mysterious arrival of a missing ex-girlfriend. Although this will almost exclusively appeal to women, it is far from light and fluffy… [Rated 4/5 stars]

The West Australian, Tuesday, 26 January 2010

A gripping read. Rewarding to the very end.

Nicole Alexander, author of The Bark Cutters

For author interviews and general media, click here

November 27, 2009/5 Comments/by jameswilliams90

About

A LITTLE BIT ABOUT ME

I live in Perth, Western Australia, with my husband and two young daughters.

Before I was a writer I worked as a book editor, at first in-house at HarperCollins UK and then freelance. I have edited and proofread well over 100 books, fiction and non-fiction, including novels by Paullina Simons and Liane Moriarty.

My favourite authors include Maggie O’Farrell, Toni Morrison, Nicci French, Sara Gruen, Alice Walker, Maya Angelou, Wendy James, Kate Morton, Liane Moriarty, Natasha Lester, Dervla McTiernan, Jodi Picoult and Taylor Jenkins Reid.

My favourite books include The Secret River by Kate Grenville, Beloved by Toni Morrison, The Light Between Oceans by ML Stedman, Jasper Jones by Craig Silvey, The Shifting Fog by Kate Morton, Daisy Jones and the Six by Taylor Jenkins Reid, and After You’d Gone by Maggie O’Farrell. The list goes on and on.

My favourite poetry collection is The Self-Completing Tree by Dorothy Livesay.

I was one of the original editors of the Kids’ Night In book series, which has been raising money for War Child since 2003.

I’m a huge fan of dystopian fiction, and I’m studying the genre for my PhD at Curtin University. My favourites include The Road by Cormac McCarthy, Station Eleven by Emily St John Mandel, The Book of the Unknown Midwife by Meg Elison, and Pure by Julianna Baggott.

As a kid, in addition to devouring Roald Dahl and Enid Blyton books, I loved the Sue Barton nurse stories and Gerald Durrell’s animal adventures. Later on I read everything written by the Brontes, and devoured the dark thrillers of Lois Duncan and Christopher Pike.

I was born and raised in England, but I’ve always had family connections to Australia, and we visited the east coast a few times during my childhood. My introduction to Australian literature was reading All the Rivers Run by Nancy Cato, and after that I wanted to be Delie Gordon for quite a while. In 1999 I made sure I got to stand at the wheel of the Philadelphia paddle steamer when we visited the Murray River region.

My first pop concert, aged 12, was a Stock Aitken and Waterman event featuring my first love Jason Donovan. I was on a high for weeks afterwards. Little did I know that twenty years later I would end up editing his autobiography.

I love marine animals, and I’m a keen snorkeler and sometime scuba diver. I’ve played with baby sea lions, penguins and marine iguanas in the Galapagos and scuba-dived with Galapagos reef sharks and hammerhead sharks. I’ve glided with manta rays in Coral Bay (WA) and the Similan Islands in Thailand, encountered huge potato cod and graceful minke whales on the Great Barrier Reef, and swum with the mighty whale sharks of Ningaloo. I’ve experienced the absolute joy of being surrounded by wild dolphins in New Zealand and WA waters, and once had the very special experience of a dolphin ‘buzzing’ me while I was pregnant (using concentrated echolocation to ‘see’ the baby).

In 2011 I went to Japan while researching Shallow Breath, and visited Taiji, the town famous for its horrific dolphin drives. I was only there for two days, and thankfully I didn’t have to witness the brutal hunt up close, although I watched the banger boats drive the dolphins in from a distance. However, I did encounter the dolphins in captivity in the sea pens, being broken and starved while trained for human entertainment. Those images will stay with me forever.

I met my husband Matt when I was nineteen. We both love to travel, and we tend to pick places where we can pursue our passions for animal encounters and the natural world. Our highlights include four months in South-East Asia, including chartering a tiny vessel to Komodo Island and staying amongst the dragons. We got engaged on an island full of monkeys in Halong Bay, Vietnam, and for our honeymoon we visited Machu Picchu, Iguazu Falls, the Galapagos Islands, and travelled into the heart of the Manu Biosphere of the Amazon to see everything from capybaras to caimans. We have taken our two young girls to Japan, China, Singapore, the UK and Lapland, but Covid has meant we have spent the last couple of years exploring Western Australia – Dirk Hartog Island, Dunsborough and Walpole’s Valley of the Giants being some of the highlights. Whenever life allows, we’re always keen to have another adventure.

November 12, 2009/by jameswilliams90