Late on a hot summer night in the tail end of 1965, Charlie Bucktin, a precocious and bookish boy of thirteen, is startled by an urgent knock on the window of his sleep-out. His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan. Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress.

Jasper takes him through town and to his secret glade in the bush, and it’s here that Charlie bears witness to Jasper’s horrible discovery. With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu. 
And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse. In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

I read Jasper Jones last year, and it instantly became one of my all-time favourite books. It has everything. The central dilemma is brilliant and the characters spring immediately to life – Jeffrey Lu and his family’s stoic endurance of terrible (superbly understated) prejudice have remained incredibly vivid to me twelve months down the line. Furthermore, the dialogue and description are so incisive that I want to take one page at a time and try to break down exactly how Silvey does it. His writing runs like water – racing and eddying and bubbling and dancing, while Silvey masterfully manipulates its flow and charts its course. If you haven’t read Jasper Jones, and you only have time to read one book for the rest of the year, I strongly suggest that you make it this one.col-md-2