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On Sunday morning I attended a Perth Writers Festival session discussing the future of printed books in this world of rapid, almost rabid, technological change. I was completely engrossed listening to the panel of Geordie Williamson (chief literary critic of the Australian), James Bradley (novelist), Lev Grossman (novelist) and Angela Meyer (writer, Literary Minded blog) as they contributed a wealth of suggestions and observations. There were a few differences of opinion, but one thing was for certain: change is already upon us, whether we are prepared for it or not.

I came away feeling reasonably positive. James Bradley noted that, as happened with the music industry, the restructuring of the book industry would engender a new wave of creativity. Lev Grossman suggested that the new technologies need not mean the death of the old ones, but rather the advent of something ‘more complex and interesting’. And Angela Meyer proposed that the bookstores who prevail will be the ones who create a culture around themselves, such as the Readings chain in Melbourne (which I’m excited to be visiting for the first time next week). Geordie Williamson observed that we may end up seeing a more diverse industry, akin to the way things operated before conglomerate consolidation.

One question raised was whether the enhanced e-book is a good or bad thing – or indeed if it is possible to authentically translate all books into standard or enhanced e-formats.  I loved Lev Grossman’s statement that ‘just because you can do something doesn’t mean you should’ (something that sprang to mind again as I looked longingly at the scones in my local cafe this morning). Geordie Williamson’s related comment, that in our excitement we may begin to see technology as a virtue in itself instead of a tool, also rang bells with me – because my fiction books are written with the aim that I want you to lose yourself in them. I don’t want you to pause to click on words to find out their meaning unless you absolutely have to. I don’t want your e-reader battery life to run out just before the final chapter. I don’t want you to accidentally press the wrong button and find yourself reading a random page. I guess in some ways my novels (and, heaven forbid, me?!) are a little bit old school, so I’m happy I am writing at a time when I can see them in print.

I got home that night and saw on Twitter that the publishers of the Oxford dictionary have conceded there is no point in publishing the printed version any more. From now on it will be online only. I thought of my enormous dictionary in the study, which I frequently don’t bother to haul out, since I can look up a word much faster on the internet. And yet… to flick through page after page of minuscule text and find random words you never knew existed … to be able to feel the English language as a weight in your hands… The loss may not be registered by future generations, but at that moment I began to feel it.

However, on the panel, James Bradley told us that Socrates apparently deplored the coming of the written text as he said we’d no longer have to remember things. It’s a reminder that many fears prove unfounded, and that change, loss and adaptation are part and parcel of life. So while I may get nostalgic for the vanishing worlds of this wonderful business, I’m also looking ahead with optimism and excitement at what may come next, and enjoying being part of it all.col-md-2

I was very excited this morning to read Jessica Rudd’s blog on Mama Mia, speaking out in defence of chick lit and commercial fiction. Go Jessica! While my books don’t fall easily into the chick lit category (they are a bit too dark, although they usually have at least one female chick-lit-style character doing her utmost to lighten things up) they are certainly commercial. And I’m very proud of that. I want everyone, and I mean everyone, to read them!

The joy of reading is that it’s such a personal experience. We form relationships with the characters we read about, and we have our own reactions to the journeys they are on, which are interlinked to our own feelings and experiences. Stories are places of freedom, of escape, and of personal interpretation, so it’s a sad state of affairs when any kind of snobbery begins to try to dictate our reading passions. Besides, sweeping whole genres into generalised definitions is plain daft. I’ve read some brilliant chick-lit that has had me crying with laughter – Watermelon by Marian Keyes springs to mind. I’ve also read plenty of books in the same genre that I thought were a load of old rubbish (and will therefore remain nameless!). It’s the same with ‘lit fic’ – I’ve waded my way through a few prize-winning, critically acclaimed doorstoppers wondering why I felt compelled to waste my time; and yet other books have had me in awe – Swimmer by Bill Broady, and Beloved by Toni Morrison are two of my all-time favourites. But I should add that I did my dissertation on Beloved. It was by studying it that I got such a lot out of it. In fact, I think I gave all my friends copies of Beloved for Christmas that year, and, in hindsight, since most weren’t doing English degrees they would probably rather have had the latest Bridget Jones.

Wouldn’t it be great if all types of writing could simply co-exist and try not to squabble? But it’s unlikely, isn’t it. Life just isn’t like that, at least not yet. In the meantime, I have made a conscious choice to try to write the kind of books I love to read. And there is nothing I enjoy quite as much as a spine-tingling mystery with characters you can’t stop thinking about. If that makes my stories your guilty pleasure, then so be it. I promise you’ll get your money’s worth!col-md-2

Pages

BTS for webThe absorbing plot of “Beneath the Shadows” shows that a quiet, non-violent mystery can pack a lot of punch.

Oline Cogdill, South Florida Sun-Sentinel

Foster’s captivating story is steeped in secrets locked in attics and hidden in cellars, good sisters, bad sisters, a ghost, a couple of brooding handsome men and almost as many characters with mother issues as a Sophocles play.

Carole Barrowman, Milwaukee Journal Sentinel

Foster’s second page-turning tale of suspense set on the snow-covered moors has something for everyone: mystery, romance, paranormal activity and mortal danger. 

Kirkus Reviews

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

The West Australian

BTS US for webBeneath the Shadows draws together an intriguing mystery, an atmospheric and gloomy setting that steals over you as you read it and an interesting and varied cast of supporting characters to create a psychological thriller that will definitely leave you wanting more from this author!

1girl2manybooks – to read the full review, click here

This is the second Sara Foster book that I have read (it is also her second release – so I now have a bit of a wait to get my Sara Foster fix again), and once again I was mesmerised by Sara’s writing, and completely pulled in by the story.

The Hungry Bookshelf – to read the full review, click here

Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill’s ghost stories.

The Saturday Age, 5 February 2011

…a mystery-suspense novel so thrilling it forces you to burn the midnight oil,

Flourish magazine, 11 February 2011. See full review and interview here.

Beneath the Shadows is full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.

Good Reading magazine, February 2011. For an online summary, click here.

…merges classicism and contemporary to winning effect.

a book a day till i can stay, #190 – see full review here.

This is an inricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

Chicklit Club, February 2011. See full review here.

Beneath the Shadows is a tense, suspenseful story of loss, secrets and ghostly presences.

The West Australian, 22 February 2011. See full review here.

When Adam inherits a lonely cottage, he and Grace and their baby move in. Then Adam vanishes. No trace, no clues… A year later, Grace still seeks answers but knows she must move on. The locals are reluctant to offer help, but it comes from an unexpected quarter. As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart stopping moments are ahead for her… and us.

Woman’s Day, 28 February 2011

A year after her husband’s disappearance, Grace returns to their home looking for closure. Set in England’s desolate moors, this page-turner has just the right amount of mystery.

In Style Magazine, March 2011

With spooky clocks, snowstorms, cursed chairs, family secrets, ominous portents, greasy letters written on glass, taciturn locals and a few ghosts, there’s something here for everyone who enjoys a good shiver up the spine. The moors, bleak, beautiful and unforgiving, provide the perfect backdrop.

M/C reviews, April 2011 – to read the full review, click here

If you love a novel with a twist, then Perth writer Sara Foster’s latest novel Beneath the Shadows is the perfect port in a winter storm.

ishoperth, July 2011

…a stunning thriller.

Western Advocate, July 2011

Beneath the Shadows is a great read by a talented Australian author. (5/5 stars)

The Australian Bookshelf – to read the full review, click here

For author interviews and general media, click herecol-md-2