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In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, “The Hunger Games,” a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

This mega-selling trilogy is down as YA fiction (as is Lauren Oliver’s Delirium, another of my Book Loves), but I definitely want to read more if this is where YA is at these days. I refrained from this series for a while as I thought the premise sounded pretty macabre. And it is, but after a few recommendations from trusted reader friends, I shook off my reservations and I’m glad I did. From the first chapter, I was completely absorbed in Katniss Everdeen’s journey. I’ve obviously got a thing for dystopian fiction – I love their vivid re-imagined worlds, the fast-paced action, and the exploration of control and subversion. I’m obviously not alone. Why do these stories appeal to so many people, and teenagers in particular? Perhaps it is because there is obvious and terrible injustice in the real world as to how powerful people control and manipulate others, and in these books there is an opportunity of redress by an everyday, ordinary person. The story of Katniss Everdeen might belong to a fantastical world, but I found one of its strongest themes was that there is hope to be found even in the most powerless, grotesque and overwhelming situations.col-md-2

Before scientists found the cure, people thought love was a good thing.

They didn’t understand that once love – the deliria – blooms in your blood, there is no escaping its hold. Things are different now. Scientists are able to eradicate love, and the government demands that all citizens receive the cure upon turning eighteen. Lena Holoway has always looked forward to the day when she’ll be cured. A life without love is a life without pain: safe, measured, predictable, and happy.

But with ninety-five days left until her treatment, Lena does the unthinkable: She falls in love. (laurenoliverbooks.com)

My second dystopian pick of the week, after The Handmaid’s Tale! Delirium is marketed as Young Adult fiction, but I’m not sure that does it justice – although the cream of ‘YA’ fiction seems pretty mainstream nowadays. Oliver’s writing style is candid, straightforward and engaging. She has put everything into this book: a unique vision, beautiful writing, brilliant characters, and exciting action at a heady pace. I couldn’t put it down, and the ending made me teary. The great news is that Delirium is the first of a trilogy, so I’m going to find Pandemonium, the second instalment, as soon as I can. I’ve also heard recently that Delirium is to be made into a film. Hopefully this will take Lauren Oliver’s book to another level, which it absolutely deserves.col-md-2

Dr Anita Heiss

It’s great to be involved in Aussie Author month, and what better way to begin than by having a brilliant Aussie author visiting my blog. Anita Heiss is an inspiration  – her books are fabulous, her work rate incredible, and  her gratefulness blog perfectly reflects her positive take on life. Her energy is at whirlwind level, as I discovered first of all at Perth Writers Festival, where I was lucky enough to be on a panel with her. I’ll always remember how supportive she was to this first-time author.

Anita’s latest book, Paris Dreaming, has just been released. Here’s a teaser:

Libby is on a man-fast: no more romance, no more cheating men, no more heartbreak. After all, she has her three best girlfriends and two cats to keep her company at night and her high-powered job at the National Aboriginal Gallery in Canberra to occupy her day – isn’t that enough? But when fate takes Libby to work in Paris at the Musée du Quai Branly, she’s suddenly thrown out of her comfort zone and into a city full of culture, fashion and love. Surrounded by thousands of attentive men, nude poets, flirtatious baristas and smooth-tongued lotharios, romance has suddenly become a lot more tempting. On top of it all, there’s a chauvinist colleague at the Musée who challenges Libby’s professional ability and diplomatic skills. Then there’s Libby’s new friend Sorina, a young Roma gypsy, desperate to escape deportation. Libby must protect her work record and her friend, but can she protect herself from a broken heart?

I asked Anita what Libby was most grateful for in life, and here’s what she said:

1. CIRCLE OF FRIENDS: Libby is grateful for her circle of friends she calls her ‘tiddas’. In Canberra her bestie is Lauren, a visual arts curator who believes in romantic love. Her ex flat-mate Denise is a primary school teacher, who’s witnessed both Libby and Lauren’s relationship sagas over the years, and yet she still believes in ‘the One’. And the latest addition to the posse, Caro, is a lawyer with a dry sense of humour who likes to wet-her-whistle often. Together they unpack the serious issues of life: relationships, careers and good food! When Libby moves to Paris, her new tidda is Canelle, a sleek-bobbed black woman from Guadeloupe with a passion for bling, who ups the fashion-and-fella-anti!

2. A COMPLETE LIFE: Libby has her core group of friends and an active Canberra social life. She has a healthy long-distance relationship with her mum and five brothers in Moree. She’s got a tertiary degree and has excelled in her job as Manager of Educational Programs at the National Aboriginal Gallery in Canberra. Libby isn’t that interested in children just yet, but loves her two cats – Bonnie and Clyde. She’s fit from running and riding her bike around the streets of Braddon, on a total man-fast and is grateful for her complete life, until…

3. PITCH FOR PARIS: Libby is grateful her Pitch For Paris – to work at the stunning Musée du Quai Branly – is successful. She gets to do what she loves best: promoting Indigenous arts, this time on the international stage. But once arriving in the city of love with its cravats, culture and classy men, the ‘man-fast’ isn’t that easy to stick to. But she’s grateful that at least she’s a long way from home… and so no-one will ever know what she gets up to, or will they?

4. NUDE POETS: Libby is grateful to a new friend, Ames from Burgundy, because he introduces her to the revolutionary Maximilien de Robespierre. But the most revolutionary thing about their English and French poetry readings is that they are all done in the nude. Libby says: ‘I liked the feeling of freedom in being without clothes just for the sake of it.’

5. MOULIN ROUGE: Libby goes to the Moulin Rouge with staff from a job she ends up doing through the Australian Embassy. While she gets a tad jealous of the barely covered dancing girls, she’s grateful she won’t have to do any can-can moves to impress her fella. She simply says she can’t can’t and won’t won’t.

To find out more about Anita, visit www.anitaheiss.com and http://anitaheissblog.blogspot.com/ I’d highly recommend going to one of her events – you’re guaranteed a fun evening.

Thanks for dropping by, Anita, and wishing you every success. xxcol-md-2