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Helplessness and people power

Last night, one of the last images I saw before I went to bed was of a terrified Chinese toddler being held at knifepoint in the street by her father. The horror of that situation was not distilled by the frozen photo, the detached computer screen, or the fact I could flick away when I chose. Horrendous fear and suffering were transmitted in an instant.

I hadn’t searched this out. I wasn’t planning to read the news at that point. But it broke its boundaries and affected me. As did the Four Corners story this week, which I found out about thanks to twitter. I’m grateful I didn’t have to watch that footage, because I know it would still be haunting me. The photographs I did see were enough.

No one has taught me how to deal with these moments. I have had to teach myself, because, quite frankly, they have brought me to my knees at times. And the way I have come to terms with this is by becoming a more conscious guardian of my emotions, knowing when I can take action and when there is nothing I can do. From what I could gather (the article wasn’t clear), the little Chinese girl was rescued. Twelve hours later, the news has moved on, and I can’t even find it on the same site. I’m pretty sure I won’t ever know what happened to them.

However, with the push to ban live exports, there were at least petitions to sign. Where once upon a time I would have felt this was a fairly unremarkable gesture, I don’t any more, because of the emergence of a few amazing, energetic sites that have recorded some brilliant, measurable breakthroughs as a result of people power. Sites like Avaaz.org and getup.org.au (who ran a live exports petition), and organisations like the Wilderness Society (who send you the results of their actions) are doing a great job of bringing some critical issues to our attention. And despite the desperate, depressing news they bring to my door, they make me feel that there is something small but very important that I can do. They wouldn’t exist unless we were all choosing to add our names to causes we believe in. This weekend my family will be going to climate change rally in Perth on Sunday (there are also rallies in Melbourne, Hobart, Brisbane, Adelaide and Sydney), thanks to the information and reminders from GetUp. Our voices might be small, but they all count, and I’m buoyed by the words of anthropologist Margaret Mead: Never doubt that a small group of committed people can change the world. Indeed, it is the only thing that ever has.col-md-2

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Perth Writers Festival #4: Words I’ll remember

‘The book is too perfect to disappear. Bookstores are fading, but there are also bookstores surviving.’ Annie Proulx

‘Living in a flat in the city it is almost impossible to have a sense of connection to place’ Tim Flannery

‘a still–Volcano–Life’ Lyndall Gordon quoting Emily Dickinson

‘the frontiers of consciousness, where words fail, but meaning still exists’ Lyndall Gordon quoting T.S. Eliot in his essay ‘The Music of Poetry’ (1941)

‘We don’t need more intelligence, we need more empathy.’ Tim Flannery

‘Depression is the refusal to mourn.’ Dorothy Rowe

‘We have a brief period of historical co-existence [between the book and the e-book] that is almost over as we speak.’ Geordie Williamson

‘Books are how I learned to manage solitude.’ Lev Grossman

‘Gaelle learns she doesn’t have to accept the gifts that have been bequeathed to her, but the worst thing is to remain silent. “Sometimes the stories that have to be told are the hidden ones.”’ Natasha Lester, talking about her book, What is Left Over, After

‘There’s a paradoxical unity of past, present and future. They are all ghosts. The present is always abandoning us.’ Jon Bauer

‘Give oneself permission not to know where something is going, and try to find the strength in that.’ Gail Jones on writing

‘If the past is where the pain is, visiting the past is also where the healing is… healing is the hand I want to hold to walk boldly into the future.’ Jon Bauercol-md-2

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Perth Writers Festival #2: The death of print?

On Sunday morning I attended a Perth Writers Festival session discussing the future of printed books in this world of rapid, almost rabid, technological change. I was completely engrossed listening to the panel of Geordie Williamson (chief literary critic of the Australian), James Bradley (novelist), Lev Grossman (novelist) and Angela Meyer (writer, Literary Minded blog) as they contributed a wealth of suggestions and observations. There were a few differences of opinion, but one thing was for certain: change is already upon us, whether we are prepared for it or not.

I came away feeling reasonably positive. James Bradley noted that, as happened with the music industry, the restructuring of the book industry would engender a new wave of creativity. Lev Grossman suggested that the new technologies need not mean the death of the old ones, but rather the advent of something ‘more complex and interesting’. And Angela Meyer proposed that the bookstores who prevail will be the ones who create a culture around themselves, such as the Readings chain in Melbourne (which I’m excited to be visiting for the first time next week). Geordie Williamson observed that we may end up seeing a more diverse industry, akin to the way things operated before conglomerate consolidation.

One question raised was whether the enhanced e-book is a good or bad thing – or indeed if it is possible to authentically translate all books into standard or enhanced e-formats.  I loved Lev Grossman’s statement that ‘just because you can do something doesn’t mean you should’ (something that sprang to mind again as I looked longingly at the scones in my local cafe this morning). Geordie Williamson’s related comment, that in our excitement we may begin to see technology as a virtue in itself instead of a tool, also rang bells with me – because my fiction books are written with the aim that I want you to lose yourself in them. I don’t want you to pause to click on words to find out their meaning unless you absolutely have to. I don’t want your e-reader battery life to run out just before the final chapter. I don’t want you to accidentally press the wrong button and find yourself reading a random page. I guess in some ways my novels (and, heaven forbid, me?!) are a little bit old school, so I’m happy I am writing at a time when I can see them in print.

I got home that night and saw on Twitter that the publishers of the Oxford dictionary have conceded there is no point in publishing the printed version any more. From now on it will be online only. I thought of my enormous dictionary in the study, which I frequently don’t bother to haul out, since I can look up a word much faster on the internet. And yet… to flick through page after page of minuscule text and find random words you never knew existed … to be able to feel the English language as a weight in your hands… The loss may not be registered by future generations, but at that moment I began to feel it.

However, on the panel, James Bradley told us that Socrates apparently deplored the coming of the written text as he said we’d no longer have to remember things. It’s a reminder that many fears prove unfounded, and that change, loss and adaptation are part and parcel of life. So while I may get nostalgic for the vanishing worlds of this wonderful business, I’m also looking ahead with optimism and excitement at what may come next, and enjoying being part of it all.col-md-2

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The big picture – and what’s next

I’m still pinching myself that now I have two books out in the big book-buying world. Friends keep asking me how it feels, and to be honest I’m not sure I’ve really taken it in. What with the busy promotional blitz and caring for a toddler, I’m usually doing something work or child-related from the moment I get up until I go to bed, and when my head hits the pillow it’s lights out pretty quickly! But the publication of Beneath the Shadows marks the end of my first two-book deal in Australia, and already I am thinking about what I want to do next. I have two firm ideas that seem to be developing in tandem in my head, and I’m really excited about both of them. I don’t like sharing much of my writing until I’m finished – I’m a bit secretive like that – but my overall plan is that the first will be a complicated love story set around a passion for the sea, and the second is a family mystery with photography as an underpinning theme.  

It is both daunting and exciting to be very close to moving on from projects that have consumed the last few years of my life. I can’t wait to write something new, but thinking about what I hope to achieve next has led me to some reflection on what my overall goals are in my writing. Many aspects of my writing lend themselves to lots of other books too – most of us are touching on universal themes of love, friendship, journeys, psychology, freedom, fears and longing in one form or another. But I’m very interested in examining the psychology of traumatic events, and the different ways people try to cope with what fate deals them. I want readers to grow attached to my characters – not necessarily agree with them, but certainly relate to them, and recognise aspects of them in themselves or others.

I love to tell stories through the medium of suspense, with compelling chapters and twists and turns, because it’s what I want to read –there’s nothing better than a story that grips you. All that drama! The biggest compliment you can give me is saying you couldn’t put my books down – I want to grab my readers, pull them into the world I’m creating and completely absorb them until we’re finished. I hope I’ve achieved that in my first two books, but there is still plenty more to come.col-md-2

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Pages

Beneath the Shadows

BTS for webThe absorbing plot of “Beneath the Shadows” shows that a quiet, non-violent mystery can pack a lot of punch.

Oline Cogdill, South Florida Sun-Sentinel

Foster’s captivating story is steeped in secrets locked in attics and hidden in cellars, good sisters, bad sisters, a ghost, a couple of brooding handsome men and almost as many characters with mother issues as a Sophocles play.

Carole Barrowman, Milwaukee Journal Sentinel

Foster’s second page-turning tale of suspense set on the snow-covered moors has something for everyone: mystery, romance, paranormal activity and mortal danger. 

Kirkus Reviews

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

The West Australian

BTS US for webBeneath the Shadows draws together an intriguing mystery, an atmospheric and gloomy setting that steals over you as you read it and an interesting and varied cast of supporting characters to create a psychological thriller that will definitely leave you wanting more from this author!

1girl2manybooks – to read the full review, click here

This is the second Sara Foster book that I have read (it is also her second release – so I now have a bit of a wait to get my Sara Foster fix again), and once again I was mesmerised by Sara’s writing, and completely pulled in by the story.

The Hungry Bookshelf – to read the full review, click here

Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill’s ghost stories.

The Saturday Age, 5 February 2011

…a mystery-suspense novel so thrilling it forces you to burn the midnight oil,

Flourish magazine, 11 February 2011. See full review and interview here.

Beneath the Shadows is full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.

Good Reading magazine, February 2011. For an online summary, click here.

…merges classicism and contemporary to winning effect.

a book a day till i can stay, #190 – see full review here.

This is an inricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

Chicklit Club, February 2011. See full review here.

Beneath the Shadows is a tense, suspenseful story of loss, secrets and ghostly presences.

The West Australian, 22 February 2011. See full review here.

When Adam inherits a lonely cottage, he and Grace and their baby move in. Then Adam vanishes. No trace, no clues… A year later, Grace still seeks answers but knows she must move on. The locals are reluctant to offer help, but it comes from an unexpected quarter. As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart stopping moments are ahead for her… and us.

Woman’s Day, 28 February 2011

A year after her husband’s disappearance, Grace returns to their home looking for closure. Set in England’s desolate moors, this page-turner has just the right amount of mystery.

In Style Magazine, March 2011

With spooky clocks, snowstorms, cursed chairs, family secrets, ominous portents, greasy letters written on glass, taciturn locals and a few ghosts, there’s something here for everyone who enjoys a good shiver up the spine. The moors, bleak, beautiful and unforgiving, provide the perfect backdrop.

M/C reviews, April 2011 – to read the full review, click here

If you love a novel with a twist, then Perth writer Sara Foster’s latest novel Beneath the Shadows is the perfect port in a winter storm.

ishoperth, July 2011

…a stunning thriller.

Western Advocate, July 2011

Beneath the Shadows is a great read by a talented Australian author. (5/5 stars)

The Australian Bookshelf – to read the full review, click here

For author interviews and general media, click herecol-md-2

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Beneath the Shadows

Book Group Questions for Beneath the Shadows

1. The past is still too close to us… How does the past infiltrate and affect the present in Beneath the Shadows?

2. Grace is driven by her need for resolution: did you see this as an obstacle or a necessity for her?

3. Ghosts, omens, clocks that stop and start by themselves – is there a supernatural element in Roseby, or was it all just a figment of Grace’s imagination?

4. Windows and reflections are strong symbols in the novel. How do you interpret their significance?

5. Not only is Grace reading Rebecca, but throughout the book the classic novel is alluded to in others ways too. Consider these parallels, and what they contribute to the story.

6. By the end, the mystery of Adam’s disappearance is resolved. Yet Adam didn’t tell Grace where he’d put their money, his relationship with Jenny, or the existence of the cellar. How much do you think the reader gets to know the ‘real’ Adam?

7. How did you interpret Grace’s strange dreams? Were they warnings, her subconscious trying to process her fears, or something else?

8. How important is Annabel to the story? What role does she play?

9. Is Meredith a villain or a victim?

10. By going through their belongings and their memories, Grace seems to be trying to understand who Adam’s grandparents were. How far can she succeed, do you think? And why is this so important to her?col-md-2

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Beneath the Shadows

Beneath the Shadows


Read on Kindle

How do you begin to move on, if the past won’t let you go?

When Grace’s husband, Adam, inherits a cottage on the isolated North Yorkshire moors, they leave London behind to try a new life. However, a week later, Adam vanishes, leaving their baby daughter on the doorstep.

The following year, Grace returns to the tiny village of Roseby. She is desperate for answers, but it seems the slumbering village is unwilling to give up its secrets. As Grace learns more about the locals and the area’s superstitions and folklore, strange dreams begin to trouble her. Are the villagers hiding something, or is she becoming increasingly paranoid? Only as snowfall threatens to cut them off from the rest of the world does Grace begin to understand how close the threat lies, and that she and her daughter may be in terrible danger if she cannot get them away in time.

Foster’s second page-turning tale of suspense set on the snow-covered moors has something for everyone: mystery, romance, paranormal activity and mortal danger.

Kirkus Reviews

Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill’s ghost stories.

The Saturday Age

…a stunning thriller.

Western Advocate


Listen on Audible

Praise for Beneath the Shadows

‘The absorbing plot of “Beneath the Shadows” shows that a quiet, non-violent mystery can pack a lot of punch.’

OLINE COGDILL
South Florida Sun-Sentinel

Foster’s captivating story is steeped in secrets locked in attics and hidden in cellars, good sisters, bad sisters, a ghost, a couple of brooding handsome men and almost as many characters with mother issues as a Sophocles play.

CAROLE BARROWMAN
Milwaukee Journal Sentinel

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

The West Australian

Beneath the Shadows draws together an intriguing mystery, an atmospheric and gloomy setting that steals over you as you read it and an interesting and varied cast of supporting characters to create a psychological thriller that will definitely leave you wanting more from this author!

1girl2manybooks

This is the second Sara Foster book that I have read (it is also her second release – so I now have a bit of a wait to get my Sara Foster fix again), and once again I was mesmerised by Sara’s writing, and completely pulled in by the story.

The Hungry Bookshelf

…a mystery-suspense novel so thrilling it forces you to burn the midnight oil

Flourish magazine

Beneath the Shadows is full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.

Good Reading magazine

…merges classicism and contemporary to winning effect.

a book a day till i can stay, #190

This is an intricately woven tale inspired by classic stories such as Wuthering Heights and Rebecca. The suspense and unexpected twists will leave you guessing all the way through.

Chicklit Club

Beneath the Shadows is a tense, suspenseful story of loss, secrets and ghostly presences.

The West Australian

When Adam inherits a lonely cottage, he and Grace and their baby move in. Then Adam vanishes. No trace, no clues… A year later, Grace still seeks answers but knows she must move on. The locals are reluctant to offer help, but it comes from an unexpected quarter. As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart stopping moments are ahead for her… and us.

Woman’s Day

A year after her husband’s disappearance, Grace returns to their home looking for closure. Set in England’s desolate moors, this page-turner has just the right amount of mystery.

In Style Magazine

With spooky clocks, snowstorms, cursed chairs, family secrets, ominous portents, greasy letters written on glass, taciturn locals and a few ghosts, there’s something here for everyone who enjoys a good shiver up the spine. The moors, bleak, beautiful and unforgiving, provide the perfect backdrop.

M/C reviews

If you love a novel with a twist, then Perth writer Sara Foster’s latest novel Beneath the Shadows is the perfect port in a winter storm.

ishoperth

Beneath the Shadows is a great read by a talented Australian author. (5/5 stars)

The Australian Bookshelf

For Bookclubs

Book Club Questions (downloadable PDF)


If you’d like to read Beneath the Shadows for your book club, this downloadable PDF reading guide includes discussion questions for your group.

Do you have a burning question that you want to ask Sara about the book, or would you like a personalised video for your book club? Use the contact form to get in touch.

You can find downloadable PDFs for all Sara’s books on the Book Club page.


Add the book to your GoodReads library:

Beneath the Shadows


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Come Back to Me

CBTM for web‘As a writer, an exceedingly good book to me, is when I don’t notice how it’s written, but find myself completely wrapped up in the story. Come Back to Me by Sara Foster was one of those books. I couldn’t put it down and lacked sleep for a few days.’ Michelle Dennis Evans

 

‘Set in both London and Perth, this is a moving story about impossible choices, about love, and about keeping a promise you made years ago, even if it risks everything you have now. I read this in one day and was left thinking about it for days afterwards. Keep a tissue close.’ July 2011 book of the month, www.ourbookclub.com.au

 

‘Come Back to Me is a complex story of relationships and how ones long ago finished can reappear at any moment and change the path you’re on. Despite the intricacies and twists in the storyline, it’s a quick and engrossing read – I powered through it in an afternoon. So very readable  – will keep you wondering and guessing (and in my case, praying that two certain people end up together) until the very last page.’ 8/10, 1girl2manybooks – to read the full review, click here

‘…this is a book that is big on secrets, everyone seems to be keeping secrets from everyone else, and it is a book that everybody’s stories seems to somehow intertwine with others, it is a story of love and loss, how being strong and taking charge can make us a better person, and how others perceive decisions that have been made even though they were too young, or not involved enough to know the reasons behind those decisions. 4.5/5.’ The Hungry Bookshelf – to read the full review, click here

 

CBTM Kindle for web‘Suspenseful, heartrending and transcontinental, Come Back to Me’s dynamic scenes extend from debauchery at an office party to a shocking outback crime. A complex psychological tale, Sara Foster’s debut novel…throws us headfirst into marital distress. Set in a middle-class world of city lawyers and designers, Come Back to Me is essentially a story of consequences…With its easy prose and short chapters, this is a novel suited to air travel. Yet it is sophisticated in two ways: it carefully considers the ramifications of split-second decisions on human relationships, and it highlights the importance of a strong question to a narrative…Each character, trapped in  this undercurrent of longing, makes the story somewhat earnest. But there is a balance in carefully placed moments of the everyday, like those in the relationship between Chloe and her wayward cousin. As a result, we, the avid readers, are continually reminded of the particular strength of the characters. It is a gentle strength, but a relatable one: the strength that comes from the simple, gallant act of moving forward.’ Kirsten Law, Australian Book Review, March 2010

‘This taut psychological drama will keep you enthralled as the mystery and tragedy of ten years ago gradually unravels.’ Northern Daily Leader, 20 February 2010

‘Come Back to Me is a wonderful debut novel. The stories of the four main characters are interwoven, with the reader taken on a journey through their past lives and the present, with revelations continuing right till the end… There is nothing not to like about this story – intriguing characters, plot twists, action and beautiful writing combine to produce a satisfying package.’ Sally Murphy, www.aussiereviews.com

‘The novel is both a stunning thriller and complex love story. It is an entertaining read.’ Border Mail, 27 February 2010

‘A new voice on the Australian fiction scene, Foster has taken an incident that she read about years ago when travelling and uses it to tell a haunting tale about relationships and the history that binds them.’ The Examiner [Launceston], 20 February 2010

‘…a dark psychological guessing game that will surprise you all the way till the end.’ ‘Read of the Week’, NW, 22 February 2010

‘Alex is happily married when he unexpectedly comes face to face with the girl he once loved. He has to decide if he should revisit the past, and risk everything with the wife he adores. This clever novel is deftly pulled together with secrets revealed right through to the last page.’ New Idea, 13 February 2010

‘Come Back to Me is a book for anyone who likes to be surprised by multiple twists and turns. Brilliant.’ http://www.thereadingstack.blogspot.com/

‘This is a very promising debut, with a storyline teeming with slowly revealed secrets and unexpected turns.’ http://www.chicklitclub.com

‘There’s no leisurely introduction to this story. Chloe and her husband Alex go to dine with her colleague Mark and his new date, Julia. But when Alex is introduced to Julia, it is soon apparent that something is very wrong. Julia vanishes, Alex is silent, Mark is furious, and Chloe struggles with her own secret as well as wondering about Alex’s past. Alex decides the only way for closure is to take Julia back to Perth where something dreadful happened. But in doing so, will he lose all he has? Can Julia face the past – and finally tell the truth? It’s a book to read in one sitting – you’ll be enthralled by the disquieting possibilities.’ Woman’s Day, 1 February 2010

‘What-ifs are the heart and soul of any good relationship story: what if we had stayed together, what if I had married someone different, what if I wasn’t having a baby? Here, Foster ties together all those life-crisis questions with the mysterious arrival of a missing ex-girlfriend. Although this will almost exclusively appeal to women, it is far from light and fluffy… [Rated 4/5 stars]’ The West Australian, Tuesday, 26 January 2010

‘A gripping read. Rewarding to the very end.’ Nicole Alexander, author of The Bark Cutters

For author interviews and general media, click herecol-md-2

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Come Back to Me

Come Back To Me


PREORDER (US)

NEW FORMATS COMING!

Audio worldwide (excl. US): DECEMBER 2025
To be published by Blackstone (US/Can): APRIL 2026

Do you have to honour a promise you made in the past
if it means losing all that you have now?

When Mark introduces his date, Julia, to Chloe and her husband at a London restaurant, it’s obvious something is very, very wrong. Alex and Julia pretend not to know each other, but the shocked expressions on their faces tell another story.

As the mystery of Julia’s identity unravels, a terrible tragedy from ten years ago gradually comes to light. While Chloe struggles with a secret of her own, Alex has to decide whether he should take Julia back to Australia to try to lay the past to rest, when doing so will risk all he has with the wife he loves.

And Julia must decide whether to finally confront Alex with the whole truth about what happened back then.

Set in London and Perth, Come Back to Me is a taut psychological drama that will keep you enthralled until the very last page.

‘Suspenseful, heartrending and transcontinental, Come Back to Me’s dynamic scenes extend from debauchery at an office party to a shocking outback crime. A complex psychological tale, Sara Foster’s debut novel…throws us headfirst into marital distress. Set in a middle-class world of city lawyers and designers, Come Back to Me is essentially a story of consequences…With its easy prose and short chapters, this is a novel suited to air travel. Yet it is sophisticated in two ways: it carefully considers the ramifications of split-second decisions on human relationships, and it highlights the importance of a strong question to a narrative…Each character, trapped in this undercurrent of longing, makes the story somewhat earnest. But there is a balance in carefully placed moments of the everyday, like those in the relationship between Chloe and her wayward cousin. As a result, we, the avid readers, are continually reminded of the particular strength of the characters. It is a gentle strength, but a relatable one: the strength that comes from the simple, gallant act of moving forward.’

KIRSTEN LAW
 Australian Book Review

Praise for Come Back to Me

‘Sara Foster’s debut novel is both a stunning thriller and complex love story.
She is a wonderful new arrival in Australian writing.’

JESSICA ADAMS

‘Alex is happily married when he unexpectedly comes face to face with the girl he once loved. He has to decide if he should revisit the past, and risk everything with the wife he adores. This clever novel is deftly pulled together with secrets revealed right through to the last page.’

New Idea

As a writer, an exceedingly good book to me, is when I don’t notice how it’s written, but find myself completely wrapped up in the story. Come Back to Me by Sara Foster was one of those books. I couldn’t put it down and lacked sleep for a few days.

MICHELLE DENNIS EVANS

Set in both London and Perth, this is a moving story about impossible choices, about love, and about keeping a promise you made years ago, even if it risks everything you have now. I read this in one day and was left thinking about it for days afterwards. Keep a tissue close.

July 2011 book of the month
www.ourbookclub.com.au

‘Come Back to Me is a complex story of relationships and how ones long ago finished can reappear at any moment and change the path you’re on. Despite the intricacies and twists in the storyline, it’s a quick and engrossing read – I powered through it in an afternoon. So very readable – will keep you wondering and guessing (and in my case, praying that two certain people end up together) until the very last page.’

1girl2manybooks

‘…this is a book that is big on secrets, everyone seems to be keeping secrets from everyone else, and it is a book that everybody’s stories seems to somehow intertwine with others, it is a story of love and loss, how being strong and taking charge can make us a better person, and how others perceive decisions that have been made even though they were too young, or not involved enough to know the reasons behind those decisions.’ 4.5/5

The Hungry Bookshelf

‘There’s no leisurely introduction to this story. Chloe and her husband Alex go to dine with her colleague Mark and his new date, Julia. But when Alex is introduced to Julia, it is soon apparent that something is very wrong. Julia vanishes, Alex is silent, Mark is furious, and Chloe struggles with her own secret as well as wondering about Alex’s past. Alex decides the only way for closure is to take Julia back to Perth where something dreadful happened. But in doing so, will he lose all he has? Can Julia face the past – and finally tell the truth? It’s a book to read in one sitting – you’ll be enthralled by the disquieting possibilities.’

Woman’s Day

‘Come Back to Me is a wonderful debut novel. The stories of the four main characters are interwoven, with the reader taken on a journey through their past lives and the present, with revelations continuing right till the end… There is nothing not to like about this story – intriguing characters, plot twists, action and beautiful writing combine to produce a satisfying package.’

SALLY MURPHY

‘A new voice on the Australian fiction scene, Foster has taken an incident that she read about years ago when travelling and uses it to tell a haunting tale about relationships and the history that binds them.’

The Examiner [Launceston]

‘What-ifs are the heart and soul of any good relationship story: what if we had stayed together, what if I had married someone different, what if I wasn’t having a baby? Here, Foster ties together all those life-crisis questions with the mysterious arrival of a missing ex-girlfriend. Although this will almost exclusively appeal to women, it is far from light and fluffy…’

The West Australian

…a dark psychological guessing game that will surprise you all the way till the end.

‘Read of the Week’, NW

‘This taut psychological drama will keep you enthralled as the mystery and tragedy of ten years ago gradually unravels.’

Northern Daily Leader

‘Come Back to Me is a book for anyone who likes to be surprised by multiple twists and turns. Brilliant.’

http://www.thereadingstack.blogspot.com/

‘The novel is both a stunning thriller and complex love story. It is an entertaining read.’

Border Mail

‘A gripping read. Rewarding to the very end.’

NICOLE ALEXANDER
author of The Bark Cutters

For Bookclubs

Book Club Questions (downloadable PDF)


If you’d like to read Come Back to Me for your book club, this downloadable PDF reading guide includes discussion questions for your group.

Do you have a burning question that you want to ask Sara about the book, or would you like a personalised video for your book club? Use the contact form to get in touch.

You can find downloadable PDFs for all Sara’s books on the Book Club page.


Add the book to your GoodReads library:

Come Back to Me


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